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I have heard Tommy's amp and it is a fine product (wish I had extra $$$ to blow). The only problem - 20 : 1 price ratio. If you like to explain the differences between these two in some constructive way, please do. (day & night conclusion is not really helpful)RegardsMariusz
What kind of results are you getting? Was that just some basic .22 film caps?
I've heard plenty of amps that sound fine until you compare it to something else. More head-to-head comparisons are welcomed.
22uf caps. It's hard for me to properly gauge the results because only the night before I finished my dac kit and changed volume pots and was so wowed by that, when I swapped caps it was hard for me to gauge the difference. Darn it. I always do that. Anyhoos, my impression is that it takes clarity up a couple notches but I could be wrong.
Those things are tiny. Did you remove the old ones and if so how hard was it to get them off the board.
X2yeah, any links?I was looking at few ready boards (upsampling and NOS)but can not decide which one to try. THXCheersMariusz
Hope I'm not crossing some rule by entering the conversation here... Feel free to move this post if so.OK, add up the cost. Two modules, power supply, chassis, several hours putting it together, the possibility of a "ka-bang" type mistake, etc.I've sold a few DAC4800A demos for <$1K (not in mint condition, of course). The difference is in the modulation, component selection/design, output filter, power supply topology, and other things. I'm not giving away our secret sauce to prove a point on this board, mind you. I've heard plenty of amps that sound fine until you compare it to something else. More head-to-head comparisons are welcomed.
@wushuliuCan you post pictures of your amp with the dac board. Thinking about using the Pass B1 in similar fashion.
In my local comparisons, I've compared the Class D Audio 60/120 watt amp to: My VTL monoblocks with SED EL 34 tubes on the top end of my biamp setup of heavily modified maggie IIIA's; I've compared it to a pair of Aronov Monoblocks running Merlins with a Musical Design SP-1 preamp (both heavily modified by John Hillig; a Yamamoto 2A3 amp with matching Yamamoto preamp running Lowthers. I've also compared the Class D Audio 250/400 amp on my maggie bass panels versus a Hafler DH-500 heavily modded by John Hillig (96,000 uf capaciticance) and I've heard the same Class D amp compared to the Wyred4Sound 500 integrated run through a pair of stock maggie 1.6's. In all cases, the listeners (not just myself) agreed the Class D matched or bettered these amps in these setups. You can read my report of the W4S comparison in post #361.steve
Tommy (and all AC members)I just wish to remind everyone the purpose of this Circle. It is about things that make us happy and cost little. The last thing we want is to turn it into pissing contest.Those usually end up in one place we try to avoid. Doubtfully anyone is questioning your integrity or work you put into your designs but no one can deny the value of a kit that can be had for under $200 and take about an hour to assemble. Any comparison of this kit to top brand competition should be taken with grain of salt. As we all know, we can be very bias when it comes to audio gear and preferences. But for the most part, everyone is cheerful about this amp.......even Mr. Blair who is known for his long time tube affairs. Have fun everyone. Mariusz
Who else has compared this amp to others? Any Audio Circle "old timers" out there? In any case, I should back out of this thread, being an amp manufacturer and all. Do you know anybody with a DAC4800A or Cherry amp that you can compare against?Thanks.
OK, this will be my last post on this thread. Have fun, guys...
Jkelly,My amps have done the heat-up and shut down, but with more ventilation all is good. We have have large rooms with loud listening levels , I do anyway.I am getting a wicked hiss out of both amps I built, after re-locations, power conditions and the like, not sure where to go from here, any suggestions?I have emailed Tom but not much there..