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Perfect timing..... Oh well.....stop over at Jeff's....his system will be playing...
Quote from: lonewolfny42 on 30 Sep 2009, 05:55 amPerfect timing..... Oh well.....stop over at Jeff's....his system will be playing... The Wolfman is here now and we're spining tunes. Art, you have a standing invitation.Give me a shout and we'll make sure the beer is cold when you get here.We'll be listening till Friday morning, then off to RMAF.
Hey Captain Humble & Lonewolfdon't get to burnt out before RMAF Drink a couple for me.Ed Quote from: Captain Humble on 1 Oct 2009, 01:40 amQuote from: lonewolfny42 on 30 Sep 2009, 05:55 amPerfect timing..... Oh well.....stop over at Jeff's....his system will be playing... The Wolfman is here now and we're spining tunes. Art, you have a standing invitation.Give me a shout and we'll make sure the beer is cold when you get here.We'll be listening till Friday morning, then off to RMAF.
Holy Crap! That's friggin' AMAZING!
Nice, is that a Stressless I see there?
Hello Art, Art mentioned that this question came up: front wall acoustic or aesthetic...I am the acoustical designer who was very furtunate to work with a client as focused as Art.Back to the question: both. Primary function is acoustical to control the omni-directional low frequency energy from speakers that otherwise "damages" the harmonic series in first two octaves...the result affects the entire listening spectrum. We of course want the speakers to couple in positive manner and create that great, robust yet tight low frqeuency response...we do not want mush and phasey low end that is often attributed soley to speaker...when it is often the speaker IN ROOM. Now in Art's case this wall is actually and multi-tiered diaphragmatic trap...where specific (yet simple) use of cavity depth, face material and insulation are targeting the first order "Y" axial mode, the second order "Y" axial mode, the speaker boundary interference null based on original speaker location and then a more general upper bass absorption (around 125 Hz). The wall is finished with 1/4" drywall which keeps mid and high frequency energy in the room so it feel "typical" and not "studio". As highly engineered as these systems are, I intentionally made them "forgiving" systems that are modestly damped and intended to work together. They are in relation to corner located passive traps, the room dimensions and the room volume.A more offcial case study of Art's room is coming...I'd be glad to answer specific questions.