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Also, from the picture, I see that the inductor is glued to the back of the speaker magnet.
If you guys are moving this inductor around, then you are significantly changing the crossover points and slopes and throwing the speaker off balance.
This is simply asinine. Did they go out of their way to intentionally do this?Based on SoundStage's measurements, one could argue that any change to the balance might be an improvement.
Go to page 2 of this thread, about half way down and look at that picture... What's that shinny copper looking thing? Looks like an inductor to me! If this inductor is moved to a different location, the balance will be off. Simple as that.
Couple of observations... From experience, the Mills resistors sound better and are better built than everything else in the wirewound resistor category. There's absolutely no need to change the resistors in this speaker. Why spend $200 when you already have the very best that you can have?
Duelund Coherent Audio... resistors are specifically design[ed] for loudspeaker crossover use. Constructed from a graphite rod with silver terminals in a phenolic cylinder for protection. They have practically zero inductance, with a 5% tolerance. The special charcteristic about this resistor is that it displays a negative temperature coefficient. For example, when the voice coil of a speaker heats up, it's impedance rises. The DUELUND Graphite Resistor counteracts this by means of a decreasing impedance. The results are greatly improved dynamics from the driver.
I just wanted to post a tip for anyone interested in modding their Druids. I have a Druid MK IV (pre '08) which had a high pass filter consisting of a 1.0 uF Kimber Cap and a 12.5 Ohm Mills resistor. Having picked up a number of different 1.0 uF caps (Mundorf Silver/Gold in Oil, V-Cap TFTF and OIMP, Jantzen Superior and Silver Z-Caps and Obligatto) for coupling purposes in my various Hagerman projects I am working on, I thought it would be intersting to see how these caps might change the character of the Druid. As the Mundorf is said to be one of the best for speaker applications, I figured I might as well start with that one (not to mention, the Silver/oils are what Zu uses in the Presence and the Definition). A couple buddies, a couple hours and couple beers later, the job was done - the cap was soldered in with Mundorf silver/gold solder (with 8.5 % silver and 0.1 % gold). Upon firing up my melody 2A3 integrated and playing a few reference albums (has anyone heard Bon Iver - For Emma, Forever Ago? If not, check it out!) it was obvious there was a change. The highs were more pronounced, sparkly - off-axis listening improved greatly, and when in the listening chair, there was more life and air to the music. The soudstage also blossomed. However, there was also some stridency that was fatiguing. On went the radio for a week of Burn-in... Upon returning to the listening chair, the situation had improved. All the benefits, without the fatigue. These are definitely staying there, until I can afford some Duelands, that is! Overall, for about $200 and a few hours of work (if you're drinking beer and having fun maybe work is not the right word!), my speakers took a significant jump in performance. I guess Zu doesn't use these in the first place due to their cost - $200 worth of components probably means another $4-500 on the price tag, pushing the speaker into a price range that may impact sales, over what the improvements wrought. The only caveat - if your system is already bright, you may find this change takes things a bit too far, unless of course you change the resistor value to compensate. That brings me to my next mod - replacement of the Mills wirewound with a Dueland resistor - at about $30 for the pair it's hard to go wrong. I'll post again once it is complete!