... I have the X-AJ out on loan to a fellow AC member, he certainly has my blessing to post his thoughts on the amp in his system.
I've been fortunate to have Zybar's TR XA-J amp in my system for the past week or so (thanks George!) and have thoroughly enjoyed it. So far it has been on the HF end of the CS2's replacing my own Aikido/F4 combo. The LF is still using the Odyssey SE's.
I'm just getting around to forming some impressions, as I decided the XA-J needed some time to burn in and settle before serious listening. Now that it's reached that point I can say with no doubts it is an absolute treat. While I still like the Aikido/F4 a lot, this amp has a much more engaging flow that really draws you in. It has that "just right" body and richness that most often comes from good tube amps, though it does not do it by adding anything at all. At first I thought it was a little soft on top, but over time it really opened up and I decided it was the more natural presentation of the two. The F4 combo seems to add just a tad more excitement in the treble, not really sure what it is, but it's different. The F4 may be slightly more transparent, revealing some detail that though less pleasant to listen to sometimes, is really there. Some of that could be parts selection and just break-in time (the F4/Aikido has many hours). With the XA-J and SE's, the CS2's just really get the midrange meat of things right. The other area where the XA-J shines is placement of instruments, both in width and depth. I associate this again more closely with good tubes, like the Joule VZN's I had for a long time. It really is a very spooky feeling how real it can make it sound, but the combo of the XA-J and CD/waveguide works very well to solidly position things in space. Oh, and even with the CS2's 100db sensitivity, it is dead quiet just like my F4, unlike my tube amp. As usual with the CS2's and an amp this good, it just makes you want to sit and listen to music all day. Hopefully I can try the XA-J on LF and F4 HF after the holiday, as I really want to hear what it can do on the bass end too.
I'd prefer to stay out of the debate that started this thread, but do want to clarify a couple things about this amp, at least as I understand it. While I don't know the exact design/schematic, it uses proprietary topologies from NP (X and Aleph), along with a J-Fet front end thus the name "XA-J". With modest power such that it is all contained in one case I don't believe it's really a complete copy of a particular Pass or FW amp, rather it's a variant. I can't say whether it's right or wrong, just my observation of the facts, so please leave it alone and recognize this is simply a great one-off amp. If you can build one for yourself (wish I could), you'd be hard pressed to find much better for the $. If you have the means to acquire an XA.5 I doubt you'd be disappointed either.
Had it not been for NP's innovative ideas and hints/coaching to DIYers, DIYAudio folks turning that into a real design, TR executing it, and George's sharing, it's not likely I'd get to hear an XA based amp in my own system at all. For that I'm very appreciative. It does really make me wonder just what an XA.5 would do in my system... so who knows, maybe there is pull through from this for the Pass brand after all. An XA30.5 maybe? One can dream... aa