Okay, I'll weigh in with a quickie review of the Panasonic after about three weeks of constant ON-ness and quite abit of play;
Currently it is doing double duty as a paper weight on top of the Sony DVP7700 I have feeding it, to its apparent satisfaction. I now have a very short high quality digital cable between the two, (12",) with a dollop of medical grade contact flux to lube up those two happy couples, and it seems to be very happy. Right now I am listening to the Hammond B3 Allstars album, which is very well produced, has alot of punch, with some serious EQ'ing on the bass, drums and organ, with the horns, synths and sisters clearly grooving in the back....brushes can be heard to move in a circular motion from the next room.
Speaking as a keyboardist of some thirty years, (gulp) I can say that the little Panny is getting it wired. My place is jumping right now, and this little rig is in the back room, and I am using some rather inefficient Dynaudio BM6 studio monitors, --no problem-o!--
There seems to be some contention about the Panasonic as a "proper" amplification means, -or whatever, and alot of inablility to assess this absolute gem of a find, within its proper context. I believe Scotty threw down on that qualifier some time ago in his preliminary review, so read up, if there is any confusion out there. Soon someday, someone is going to come up with a balls-out version of the TI chipset, and then you will see a new paradigm. Til the digital revolution irons itself out, all you fence sitters should pony up for a' one of these, and just let it play music. For a look at what it's up against for my attentions, refer to below...