How far out into the room do you have to pull your speakers to get good front to back layering of the soundstage?
For me it is 6' in front of my TV/equipment racks, or a total of about 8' into the room.
If I don't pull them out this far, the layering collapses.
I'm just curious if this is normal, further than most, or less than most?
I have played with this parameter quite a bit and have used both my RM40s and 626Rs.
Currently the RM40s are only 2.5 feet (to their back corner) from the front wall.
This puts them about even with the front edge of my electronic racks and RPTV.
I used to have them 1-2 feet further into the room (3-5 feet), but after buying some rather inexpensive acoustic foam and just standing or draping it over my RPTV and electronics, the more "forward postition" wasn't needed.
Along with this is the phenomenon of height. I don't know if the recording process can actually capture differences in soundstage height, but it seems like the really good systems allow you to hear sounds coming from ear level or lower to elevating over your head. It seems like with mediocre or poor systems, most of the sound to emanates from down near the floor and is very one dimensional.
I have thought about this too, and obviously it would be impossible to record or "place" height like we do with lateral placement since the stereo signal is sent "equally" to each speaker and there is no "variation" for the brain to create a "height" based on signal variance as in stereo.
But it is unquestionable that we perceive a specific and direct height to most sounds when we listen critically.
I beleive the height image is created primarily by the height of the mids and tweeters, as well as their interaction with specific room surfaces (the floor and the ceiling)
While I have not done a lot of testing in this area I would say that a carpeted/highly dampened floor would have a "higher" image than a wood or reflective floor. As well I would suggest that a low ceiling would also "raise" the image, while a higher ceiling would lessen that effect.
So image height, would have to do with driver height, and floor ceiling interactions and the final variable would be seated listening height in relations to these. (Just my opinions)
When speakers are spread too far apart, it can cause a lack of a strong middle image, which screws up layering.
I might take issue with this with certain set ups and speakers. Again I use my RM40s currently over 13' apart (ouside edge to outside edge) and I sit 9 feet from the midline between the two speakers and about 11 from the speaker face itself.
I have a clearly defined and on some recordings "chisled" center image and lushly filled soundstage on recordings that have that type of fill. My front to back depth and "layering" is remarkable. Obviously we always look for possible improvements (Lord knows what we would do if we couldn't extract any greater steps to the "absolute")
I think with more dispersant speakers, the loss of "image lock", depth and texture can be lost at wider spacings, since the greater dispersion has a tendency to "well... disperse" and be "washed out" or de-intensified by room interaction.
So, I sit about 16 feet from the front wall, and the speakers are about 8 feet from the front wall. There is a 71" big screen, two equipment racks, amps and subwoofers that make up a wall about 2' deep along the front. So in fact the speakers are out about 6' from these components.
Your RPTV and Equip Racks sound a lot like mine. Some might say that they are good diffusers, but I don't think so. You might try my earlier suggestion of picking up four 48"x24"x3" panels of Acoustic Foam (wedges are best for this) and drape 2 over the RPTV and the other two over each equipment rack.
I also have 3 more on the front wall (behind the speakers) placed rather high to disable the rear waves, that would hit the front wall and bounce to the ceiling and back out again.
I just use a couple 5# weights to secure the foam to the top of the center speaker and just let them hang down in front of the screen.
Same for the front of the equipment racks (infrared remotes usually will not go through these)
and I use "very long" super skinny tacks to mount the wall foam.
All of this comes down in 45 seconds and into the closet if need be (like when my Playboy Playmate client comes by

guys I could tell you stories that even I don't beleive...lucky me...

)
For HT it isn't needed since a reverberant sound feild and reflected sound aren't as destructive to foley. (in fact they might even enhance)
I have had some nOhr mini-9s in that position and with this treatment and placement the were quite impressive.