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Doesn't it make sense, however, that the standards for recordings will decline as fewer and fewer people (must be statistically zero already) require a higher sound quality? If everyone is listening to MP-3, why bother to pay for producing something those devices can't render?I think that HT has changed the focus from music to sound effects long ago and that the trend is to move ever further in that direction. You know, just like special effects have pretty well overtaken the need for acting.
The shift to HT has potentially gotten more people to spend more money on HT systems rather than 2 channel only. But a lot of folks I know expect their systems to do *****both*****. Do you think people would tolerate MP3 quality in movie soundtracks with the limited resolution and dynamic range? I don't.
I am digging my heels into HT in a big way going forward.
1958 the first LP stereo recording were made.1980 the CD emerged.1998 the MP3 arrived.I predict in 2008 a new format arrives.
This new format (yet un-named) will have amazing quality that will blow away all previous compression formats,
Daryl's point was that one can apply precisely the same argument to many audiophiles. How do we know MP3 is lower fidelity? Because it has increased distortion, an altered harmonic balance, and it just sounds bad. Well, guess what - SET amplifiers have much higher distortion than SS.
Single driver speakers have pretty terrible harmonic characteristics compared to conventional. And all that degradation in sound quality can be heard quite clearly.
Just to pick a nit here, MP3 isn't a format. It's a codec. Format refers to the physical media and how the information is stored on it.se
Format can also be used to describe the layout of a file structure.http://www.sonicspot.com/guide/fileformatlist.htmlI believe all of those can be stored on the physical CD media. CODEC is the method by which information is enCOded and DECoded - hence CODEC. http://www.nch.com.au/acm/formats.html
WGH,I wonder how old that clip is that you linked to.