0 Members and 1 Guest are viewing this topic. Read 10661 times.
What are they?
I will also be happy to host a listening session this summer for those in the Chicago area who may be interested in hearing one of Ricks designs but are too far from Rick's neck of the woods to hear his Reference system(s). edit: I guess I should note that the system will be comprised of a pair of mtmww's built with premium XO parts including Mundorf Silver/Gold caps. W's: Seas L26M's: Seas Excel w15 Nextel paper coneT'st: Scan Speak 6600 AirCirc
If you make it to the Boston area this summer Rick, I'll make it a point to be there. For a chance to hear your arrays again, a 4 hour trip is very doable! Robin
I'd find a way to listen to a system in Dallas. I'm going to buy new speakers sometime fairly soon. So the timing is right for me.
Hey Rick!The door is always open here if you want to do the Boston area again. Lodging included!Only problem is my livingroom is a bit overpopulated. :duh: I have set up half the garage as a secondary summer listening area. Good quality electronics are on hand to power whatever you could bring, up to and including the MC275 that we had last year as I bought it.Best,Paul
Good to hear from you again! Is there any ADS vintage piece that you don't have?
QuoteGood to hear from you again! Is there any ADS vintage piece that you don't have? LOL I don't have L2030's! I have refinished the veneer on the L910's in the pic. I'm a sucker for a/d/s/.... These 910's are GREAT for Rock n Roll. The word is PUNCHY. Regardless, my door is always open here for you if you want to do it again. Just pick a date far enough in advenace and I'l get the word out.Best,Paul
When I was young & couldn't afford those ADS L810s & L910s, I would walk into the Pacific Stereo stores that demo'd them & just stare, practically drooling, almost crying. I'd still snag a pair if I could. I loved the sound & the look was to die for. In other words, I feel your pain....
I bet they would exceed mine too. There's no way something that sounded that good, even though we're talking about the early '70s (19, not 18!), could sound "bad" even by today's standards. Besides, speakers IMO have improved but how much? I've never heard ANY high-end system come within the same solar system of the performance of Tower of Power playing back on the 16-24 track master tapes at The Record Plant Sausalito when I worked there. Watching them & working w/ them at that time makes all this seem like such a joke.The studio employed in each of four corners two JBL 15s & a huge radial horn, actively x'd & biamped, each section driven by one channel of a Crown DC300 pumped hard practically 24/7 & virtually never failed. We listened in the control room while they recorded, they walked back in the control room & the difference in sound was virtually indistinguishable. TOP listens to several tracks of music (Roy Buchanan), Mick casually writes out the entire horn arrangement while eating, conversing, whatever...the band walks in the studio & looks it over for a few minutes & after one very brief rehersal virtually perfect music including a couple solos...insane. Your guts get moved around in the same small room w/ a baritone sax. Hey, what was the relationship between ADS & Bruan? I loved virtually every Braun/ADS I heard. The then ultra-expensive minis were to DIE for.
Quote from: RibbonSpeakers.net on 17 Jun 2007, 05:25 pmI bet they would exceed mine too. There's no way something that sounded that good, even though we're talking about the early '70s (19, not 18!), could sound "bad" even by today's standards. Besides, speakers IMO have improved but how much? I've never heard ANY high-end system come within the same solar system of the performance of Tower of Power playing back on the 16-24 track master tapes at The Record Plant Sausalito when I worked there. Watching them & working w/ them at that time makes all this seem like such a joke.The studio employed in each of four corners two JBL 15s & a huge radial horn, actively x'd & biamped, each section driven by one channel of a Crown DC300 pumped hard practically 24/7 & virtually never failed. We listened in the control room while they recorded, they walked back in the control room & the difference in sound was virtually indistinguishable. TOP listens to several tracks of music (Roy Buchanan), Mick casually writes out the entire horn arrangement while eating, conversing, whatever...the band walks in the studio & looks it over for a few minutes & after one very brief rehersal virtually perfect music including a couple solos...insane. Your guts get moved around in the same small room w/ a baritone sax. Hey, what was the relationship between ADS & Bruan? I loved virtually every Braun/ADS I heard. The then ultra-expensive minis were to DIE for.TOP's direct-to-disc for Sheffield is one of my favorites