Hi Dave,
The rest are: RWA SB2 (transport), Altmann DAC, AudioSector Patek, and BB FTA-2000s. I also have a pair of Clari-T monoblocks, no volume pots, fully upgraded with Black Gates and Audri caps, and they will be next to try with the TVC.
By the way Dave, I like and concur with what you said ealier about your experience with the TVC because it's so true.
"I liked what I heard (the purity of the sound; the clarity; the feeling that a veil had been removed from the music) and the volume was much louder than I'm used to. So, I made the switch, and I'm glad I did. I have no basis for comparison to other passives, TVCs or active pre-amps, but I do know this: I have experienced absolutely no loss of bass (and possibly some gain). My volume settings are fine (I usually play music at 10-12 o'clock, first time around on the clicks). The clarity is wonderful, and the TVC is especially good at operatic voices. It always seems as if the voicer is in front of the orchestra, rather than the other way around. Most importantly, that electric sound--that's the only way I can describe it--is gone. Now, I only play classical and opera (with a little bit of rock mixed in), and I don't like flavored music at all. Well, the TVC doesn't flavor the music. And there are times when I'm startled by the clarity (as in, it actually makes me sit up and notice). By the way, when I put my ear to my speakers at minimum volume, I hear nothing. No buzz. Just black."
I may repeat myself if I said it somewhere earlier, but the TVC just lets music flow through, with glorious midrange, highly detailed trebles, deep bass [if exists in the recording] intact. I am now a TVC convert, although it has only been here for less than a week (4 days to be exact).