Why should two solid state amplifiers whose output impedance is sufficiently low
as to cause no frequency response variations in a loudspeaker that is driven by them require two different room correction curves for the same loudspeaker in the same location. I could see this happening if the second time a room measurement
was taken the microphone wasn't in precisely the same physical location to within a millimeter in three dimensions. Comb-filtering effects will dominate your measurements as the frequency gets higher and the wavelengths get ever shorter.
Scotty