Vinnie,
Thanks for your reply. It's good to be "in the fold". Looking forward to hearing how well the Signature 30 amp will control my Horning Perikles speakers.....I love these speakers and they produce a tremendous realism, but they do need a low-end "iron hand". One reason why I may dispense with tube amps altogether......and why I ended up reading the RWA Forum in the first place.
I agree with the other posters -- take your time w.r.t. cranking out your amps......right after mine ships.

Good things come to those who wait.....
For anyone/everyone else: I've been looking for a new DAC. I know this has been posed in several guises on several of the AudioCircle forums, but as yet a concise assessment of the following questions eludes me:
1. Has anyone been able to do a direct comparison between the Altmann vs. Lite Audio DAC-60 (modified and/or unmodified) vs. the Monarchy D24? Since this is an RWA forum, lets throw Vinnie's modified Olive into the mix as well....
2. For anyone who has listened to the above DACs, would you care to comment on any problems/limitations they have with high-frequency hardness/harshness? I don't know if any of these DACs exhibit this problem, but I am particularly sensitive to this issue. Having been to a few audio shows (and audio showrooms), this problem is one that can drive me out of their listening environment almost immediately. And the list of "cuplrits" that exhibit this problem is a long and inglorious one...

3. Can anyone help me get over my Altmann "it's just a freekin' circuit board on a piece of wood" anxiety enough so that I can take the plunge? Mind you, this is from someone who already has an AudioSector 1543-based DAC on a board. Of course, the difference in cost is more than $1k, plus the need to add a battery power supply. I'm sure that, despite some configuration similarities (choice of some parts), that the Altmann DAC can improve on the AudioSector (aka: 47 Labs) implementation.
4. Can anyone comment on their findings regarding NONOS DACs and their susceptibility to jitter? Dick Olsher references that view in his latest Enjoy the Music article, but I'd like to get a reference to someone who addresses this in more detail. From a technical standpoint it sounds plausible, but usually the devil is in the details. I was hoping that someone had some direct experience.
Thanks in advance for any additional help as my quest continues.
-dB (a unit measure of noise)