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This, my audiophile friends, is a six hundred watt straight wire.You may want more romance; this is perfectly understandable, until you come to realize that all of your recordings sound the same.You may want more detail; until you realize that what you are really getting is an artificially tilted and tizzy upper midrange …all your recordings sound the same and you are annoyed in the process.You may find this amplifier will tell you everything about your sources, ancillaries and speakers, even the disquieting things …and that this truthfulness is …uh, disquieting …and you may pick something more …euphonic, more deceptive …and then realize that not only do all of your recordings sound the same, now all your equipment sounds the same too! AND you are REALLY annoyed!In this relatively long-term follow up, the BAT remains my nomination for best amplifier on the planet.
Better then your previous "best", the Dartzeel? I realize different amps in different systems but I'd like to hear a comparison. Both amps are very different animals. I'm glad you made the right choice.How does the Bat compare to the McCormack in regards to pure power and bass?
I'd love to hear the BAT. But one thing bothers me about the review- he exhaustively lists the relatively unimportant items in his system (like wire, isolation, etc) but makes no mention of acoustic treatment whatsoever. Are modern day reviewers really that clueless and "upside down" about how music playback works?
Very nice. Are those GIK, RealTraps, or something else?