Thanks to everyone for showing up and lending their ears for this session. I am looking forward to many more sessions over the coming months as there will be many new "toys" to audition.
For the most part this session was dedicated to Power Supplies and modded Squeezeboxes. We did delve into the fringe towards the end trying out various fuses that Wayne had brought. All in all it was a very educational experience.
The System- SP Technology Continuum 2.5 Loudspeakers
- Nuforce Reference 9.02 Amplifiers
- Cerious Technologies loudspeaker cables, 2 pair for biwire
configuration
- Harmonic Technology Cyberlight interconnects- Highly modified Brick Wall MOVless surge protecter/RFI filter. Mods
consist of: Bybee filters on thet hot and neutral legs, Star wiring with
continuous cast silver wire, Oyaide receptacles (1 - SWO DX, 1 SWO
GX, 2 SWO XXX), and finally heavy use of Stillpoints ERS.
Music- Buddy Guy "Anna Lee" from Blues Singer
- Occasionally Sarah McLachlan's "Train Wreck" from Afterglow would be
used to reveal any midrange nasties.
PS Listening ImpressionsWe started our power supply comparisons listening to the ELPAC wall wart style linear power supply. Quite a bargain for $50. You got quite an improvement in the Bass, and the overall noise floor was lowered, brining with it all of the benefits of a quieter background.
We then moved to Wayne's basic (?) power supply. Another level of refinement was achieved here. Especially noticeable in the detail revealed in the guitar solos of Buddy Guy's "Anna Lee"
We then moved to the Middle of the line PS with a copper DC cable. The guitar section became increasingly detailed, bass was loading the room now, and in sections of "Anna Lee" you could hear Buddy Guy talking in the wayy background. Wow! We then switched out the DC cable to a silver one, and the highs opened up more, but I detected a slight hint of glare in my system at that point. This would probably not happen in a tube based system. I don't think anyone else heard this, but I am extremely sensitive to this and my threshold for detecting glare is way lower than most, especially in my own system.
We then tried Waynes top of the line model. The silver DC cable remained in the system. This was the best sound so far. Exceptional detail retrieval really drew everyone into the music. Then he replaced the power cord we were using for the previous comparisons with a Bybee'd power cord with Oyaide terminations. Wow!

You could hear everything! At one point in "Anna Lee", the drummer accidentally hits a cymbal, that stood out. The two guitars were now more distinct, the guitars became "alive" in the room. The music was totally engaging and enjoyable. Believe me, that is a feat because this was probably the 12th time we had listened to the same song.
After we had achieved what we thought was the best sound of the day,
we changed the power supply feeding the Cyberlight cables. I was presently using Harmonic Technology's battery pack for the Cyberlights. It gives a much improved sound over the wall wart, but I did not like the inconvenience of limited playing time, and having to remember to switch the thing over to "charge" when finised with listening. Wayne made a power supply for the cables and brought it over for a comparison. We learned (for the second time that day) that battery power is not always superior. Waynes Cyberlight PS kicked the crap out of the Harmonic Tech PS. The sound was more coherant, much richer and fuller, and the bass much much better. At this point, I was in disbelief at how well the system was sounding.
Then Wayne busted out the audiophile fuses. I thought surely we had gone over the edge, and if it weren't for the results we all heard, I wouldn't be writing this. We would place the fuse to be auditioned in the power supply feeding the Squeezebox. We had the following:
Hi Fi Tuning Gold plated ceramic fuse
Silver plated ceramic fuse
Silver plated glass fuse
Gold plated ceramic fuse
Gold plated glass fuse
The gold and silver plated fuses I believe had the original tinning/plating stripped before plating with gold/silver. Let me just say that none of us expected to hear a major difference. I for one was preparing myself for some nit picky, strenuous listening. Well that was not necessary, as the difference each fuse made was immediate, and in some cases dramatic. The first fuse was the Hi Fi tuning fuse. It blew us all away with the amount of improvement it brought. It was almost as dramatic as adding a Bybee. Soundstage opened up, the sound was more organic, and detail went up another notch. The silver ceramic fuse really kicked it up. Bass was more present, tighter and more tuneful. The gold ceramic fuse was not as dramatic, and did not perform as well as the Hi Fi tuning fuse. This may very well be a system matching thing. The glass fuses overall sounded veiled after listening to the ceramic ones. No need to write further on them.
The winners were (in order):
- Silver plated ceramic fuse
- Hi Fi Tuning gold ceramic fuse
-Gold plated ceramic fuse
- Silver plated glass fuse
- Gold plated glass fuse
Notice a trend? The ceramic fuses faired better overall. They were simply not veiled in comparison to the glass fuses.
After determining the top two fuses, we placed the top performer in the SB power supply, and the 2nd best in the Cyberlight power supply. The final setup of the day, power supplies and fuses, was flat out amazing. Listening to "Anna Lee' for what seemed like the 25th time was an absolute joy. Toes were tapping, hands were drumming on knees, everyone was loving it.
At one point in "Anna Lee" where the drummer accidentally strikes the cymbal, you could now hear the drummer stop the cymbal's ring with his hand. Seriously!
What a day! Great fun, great listening and a great deal was learned.
For those of you who are asking "what about the RWA modded Sueezebox vs. the Bolder?", we decided that we would not write up the results, as it may give an appearance of bias. After all, Wayne himself was in my home, and Vinnie wasn't. Additionally Wayne is performing mods to my Olive music servers that I am selling. It wouldn't look good on my part to post a comment, and I don't think it would have much credibility in your eyes.
If anyone not affiliated with Bolder Cables or Red Wine audio is interested in setting up a group audition between modded SBs, I would be happy to volunteer my RWA modded Squeezebox if you cannot acquire one otherwise.
Cheers!
Mike