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Tomorrow is Mrs. Pman's Birthday
The Gilfema sound weaves quite the hypnotic tapestry. Lionel's haunting voice, resonant hollow body guitar and keenly rhythmic sensibilities mesh with Massimo's fluidly melodic acoustic bass playing and the cornucopia of complex patterns that Ferenc taps out on drums and percussion.The sound of three vibrant cultures flowing as one over an open tributary of jazz, effortlessly casting spells with compositions as intricate and purposeful as they are soothing and meditative."This is music that can be appreciated for both it's obvious skill and its power to entertain." – Stanley Crouch
When Gilfema released its self-titled debut album in 2005, they effectively put an end to any lingering doubts that jazz, although undeniably rooted in America, had evolved into a truly international art form. Here were a guitarist/vocalist, Lionel Loueke, from the West African nation of Benin; a bassist, Massimo Biolcati, who grew up in Sweden and Italy; and a drummer, Ferenc Nemeth, from Hungary--all coming together in New York City. That first Gilfema release received rave reviews--Downbeat called it "hypnotic" and the Guardian UK described it as "intelligent feel-good music."
