A silly comment.
I disagree. I think this comment is very good. Also, I must convey that your Reference Recordings sample track is a good choice. I have this recording, albeit on a Chesky label. The drum is very clear and easily discernable.
If I could design a perfect speaker, it would have a larger sealed woofer of good sensitivity. The theoretical dampening advantage of a .7qts (or lower) bass system is obvious and audible. However, for the 1801 the sealed version failed as as a stand alone monitor. Neither Dennis or I preferred this version - despite the theoretical advantages.
I believe this outcome is rooted in 2 possible variables. First, the sealed 1801 (and all sealed speakers), require more excursion in the bass region above the tuning frequency. The 1801 tuning frequency is 34hz. Folks often tout the problems with ported woofers when they unload, but this happens below (not above) the tuning frequency. Second, the 1801 lost 10-15hz of bass extension. Somewhere in these two possible variables, the 16 litre sealed 1801 lost in a/b comparison with the ported 1801 as a stand alone monitor.
However, Guilherme's proposition was for something in a 3-way application. With a filter circuit on the woofer, the impact of the ported versus sealed cabinet dissipates.
and
My hi-fi knowledge is limited
IMO, if you are listening to that music and making these discernments you have profoundly good hifi knowledge aa. Few folks have a mental memory firmly grounded the sound of live unamplified music. IMO, this is far more important than being able to recall all of the Stereopile Class "A" components, opamp slew-rates, vacuum tube compatibility, or schematic diagnosis.
Dave