Hi Matt ~
I am glad you have felt sufficiently adventurous to begin to experiment with the B200's
in OB... welcome to the journey ~
I feel I can safely say that what you will be learning about the potential of this potent speaker
paradigm will cast its spell on you for the rest of your life... so that all your future speaker
choices will be deeply affected by the amazingly sophisticated level of music reproduction your
OB's will be offering you ~
You are searching for an enhancement of your OB experience with the use of drivers that can
integrate the lower frequencies seamlessly with your B200's... that seems like the logical next
step after getting to know what your B200's alone sound like... several people have contributed
to this thread with their versions of what they think is the best approach to this... and their
solutions are based perhaps on the music they listen to, their amplification and also perhaps
the size of their room ~
Separate sealed subs, 2 B200's per panel, EQ devices, subwoofer-drivers attached to the lower
area of the OB panels, wings, the position of the drivers on the panels, the relative distance of the
panels to the back wall for its bass reinforcement, are all valid possibilities that are being tried
and that seem to work effectively with the B200's in OB ~
There are some contributors to this thread that feel that dipole bass is by far superior to bass
created in any other way: they cite better seamless integration and a "purer" OB sound...
perhaps less visceral bass energy in absolute terms but more realistic and with better detail ~
I once tried a sub that was nicely worked out with a plate amp and nice controls including an
option for simple but effective EQ'ing and was not at all impressed with the results... it added
nothing to the all-over sound of my OB's and Deborah felt it lacked "musical" vitality... I agreed!!!
I tried Dmason's suggestion of using 2 B200's... the lower one merely inches from the floor and
that worked very nicely for a great deal of music... however in my room with my amplification
choices I found it a tad light on the bottom ~
Then merely for the sake of experimentation I hooked up a pair of Bipoles to the top B200
drivers in parallel using a simple coiled copper inductor which can be purchased from Parts
Express rather reasonably: click on the link below to see what they have:
http://www.partsexpress.com/webpage.cfm?DID=7&WebPage_ID=3&Start=5&Filter=Jantzen%2Binductors&searchorderby=1&sm=1&so=1&search_type=main&desc=ASCI have 2 pairs... one that cuts off at 100Hz and one that cuts off at 150Hz... I am currently using
the pair that cut off at 150 Hz... here is how it works... a positive lead from the speaker cable
wire from each Bipole speaker is attached to the INSIDE prong of one inductor (the coiled inductor
has 2 prongs... one that "starts" on the INSIDE of the coil and one that ends at the OUTSIDE of
the coil... just like a bale of wool or roll of string) the positive lead of the speaker cable wire
from each B200 driver is attached to the OUTSIDE prong of one of the inductors... the neutral leads
tie together... what you have done is spliced the inductor "in-between" the speaker cable wire from
the B200 to another set of drivers ~
to many this will seem like a simplistic temporary solution to the bass reproduction issues that
a single B200 driver in a panel seems to present ~
Actually, the sound I am getting is truly fantastic... Jim McCarthy, who built my OB panels and is a
composer, song-writer, recording engineer was amazed to hear the effect this simple combination
created... he admitted: "I thought the sound of the single B200 was incredible but this is really
much better... tonally rich and very palpable in-the-room presentation!!!"
I used to think that what I wanted most was a fully transparent sound that I thought electrostatics
came close to realizing... except that I never was convinced by the lack of dynamics that seemed
to be an inherent problem of electrostatics... not anymore... I am thrilled to hear a slightly more
opaque sound that the Bipoles introduce because combined with the B200's they create
an amazing REALISM... THE SAME REALISM THAT YOU HEAR AT A LIVE UN-AMPLIFIED CONCERT ~
Dmason is experimenting with horn speakers that he feels comes "dangerously" close to sounding
as good as Open Baffle speakers... and for all their simplicity of build are able to generate
sound down to 30Hz that according to the good doctor "sound exactly like dipole bass... incredible" ~
I intend to pursue the good doctor's RX for deep dipole-sounding bass from what he describes
as "a very tall flute with a small footprint"... perhaps Dmason might be swayed to re-enter his
Dark Star thread to share some of these ideas with everyone... or perhaps he may be tempted
to start another thread that deals specifically with this simple but apparently devastatingly effective
DIY horn speaker paradigm ~
Let us know of your findings, Matt... so we can all learn from your experiences!!!!
Warm Regards ~ Richard ~