Budget Douk Audio A5 Class D Amp Mod- Nice amp addition for all audio enthusiast

nlitworld

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Looking like you're making some progress.  :thumb: Also with your (and others) enthusiasm for the Staccato opamps, I may have to try those at some point. Seems like they do all the right things with none of the downsides. I think the long and skinny series would fit on my amp with no super-sized risers. Since the small 10uf caps were moved out of the way for clarity caps, they likely could fit. Downside is they're more $$ even than the Sparkos. Ooof.

NXSTUDIO-DRUMMER

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Looking like you're making some progress.  :thumb: Also with your (and others) enthusiasm for the Staccato opamps, I may have to try those at some point. Seems like they do all the right things with none of the downsides. I think the long and skinny series would fit on my amp with no super-sized risers. Since the small 10uf caps were moved out of the way for clarity caps, they likely could fit. Downside is they're more $$ even than the Sparkos. Ooof.

The bad news, you can't mount Staccato op-amp's correctly on a A5 circuit board without extenders.

Mounting without extenders!  :nono:


This is where I would mount Staccato op-amp's onto their zip tie mounts.


Even though your chassis is overall larger, I would still suggest using extenders for both Staccato’s
op-amps. For multiple reasons, I would mount both op-amps on the right side of chassis.

1.) Since Staccato op-amps operate in class A, I would suggest isolating their heat dissipation away from your main circuit board. Less heat near any circuit board, the better.

2.)With the flexibility of the extenders, your able to position the op-amp’s further away from your upgraded capacitors and their wire leads. Locating the extender / op-amps on the right side of chassis, you could  screw in a couple of black zip tie mounts, on the right side wall of chassis. Wrapping the zip tie’s between the wires of extenders, to the side wall of the zip tie mount is very easy and worthwhile step. Plus, having them both in the same position would have more symmetry in pairs.
I have another little tip, I’ll be glad to share, if decide to purchase a pair.

3.) You still have the flexibility of swapping out different manufactured op-amps this way too.:thumb:

https://staccatoaudio.com/
Jakub w/ Staccato sells his Op-Amps through Ebay. Here is his link:
https://www.ebay.com/itm/392499395854
« Last Edit: 15 Mar 2026, 10:29 pm by NXSTUDIO-DRUMMER »

nlitworld

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I thought about running the extensions until I saw they make a different configuration as well with the boards inline rather than side by side. I was thinking about trying that style out. It would also help with cooling by not having heat sink butted up to each other. I know resale value would be nil just because the form factor is very intrusive though.





This configuration puts them about same width as Sparkos which fit nicely (13.75mm Sparkos vs 15mm Staccato). The only way it's possible is that I have the 10uf caps out of the way and I'm willing to cover up the rgb switches that nobody seems to care about. Lol.

Only thing is I can find used Staccato on USAM for about ½ price which is tempting.

NXSTUDIO-DRUMMER

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I thought about running the extensions until I saw they make a different configuration as well with the boards inline rather than side by side. I was thinking about trying that style out. It would also help with cooling by not having heat sink butted up to each other. I know resale value would be nil just because the form factor is very intrusive though.





This configuration puts them about same width as Sparkos which fit nicely (13.75mm Sparkos vs 15mm Staccato). The only way it's possible is that I have the 10uf caps out of the way and I'm willing to cover up the rgb switches that nobody seems to care about. Lol.

Only thing is I can find used Staccato on USAM for about ½ price which is tempting.

I believe your onto something!  :thumb:

For your application, this particular op-amp model layout, appears to be a perfect solution, giving a you a very clean integration with your LPS / Amp combination. If you add this Dip8 spacer, you’ll clear the light color switches to the right of the op-amps.This will resolve the height clearance, allowing the op-amp to overhang the little color light switches, as well as the other little chip to the right behind the light switches.

Using a stock A5 chassis, with this particular Staccato model configuration, still would be too tall for the cover lid to be used on the A5 chassis. I don't believe this model would clear the 4 stock Nichicon capacitors, to the left of the op-amp circuit board input sockets either. Therefore, not compatible with a stock A5 amp. Even with my 2 chassis mod, it still wouldn't work, unless you relocated the Nichicon capacitors, using longer wire lead extensions.

Overall, I believe this would be ideal for your scenario, based on dimensions provided on Staccato’s website.
Dimensions: 1.65” x 0.59” x 1.38”

Dip8 spacer example


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Interesting video addressing amplifier classifications.

https://www.youtube.com/watch?v=KYP-UlzdPxM
« Last Edit: 20 Mar 2026, 07:40 am by NXSTUDIO-DRUMMER »

nlitworld

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So I thought I'd throw the idea out there. If anyone is curious how some overkill mods stack up against a standard issue A5 amp, I'd be willing to loan mine out on a demo for a bit. Would be fun to get others' feedback and impression. To me it just sounds like my amp, simply because I don't have a stock one to compare anymore.

Anyway, if anyone's curious just let me know.   :thumb:

NXSTUDIO-DRUMMER

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So I thought I'd throw the idea out there. If anyone is curious how some overkill mods stack up against a standard issue A5 amp, I'd be willing to loan mine out on a demo for a bit. Would be fun to get others' feedback and impression. To me it just sounds like my amp, simply because I don't have a stock one to compare anymore.

Anyway, if anyone's curious just let me know.   :thumb:
I have no doubt, your amp sounds better than a stock amp.
My friends and I, have modified our A5's, and we concur there is no comparison, between a stock A5 amp, versus a upgraded amp.

Regarding loaning out,
For me personally, I would be apprehensive accepting your generous offer, because the amp could possibly receive shipping damage. Being your amp is a one of a kind build, I know the sentimental value goes beyond, money, parts & labor with your accomplishment.

That being said, I didn't want your thread post offer, receiving zero replies. :nono: "Since you're volunteering your amp for loan, to all AC members, with goodwill in mind."
 
Therefore, I'm expressing my personal gratitude, for your generosity.







« Last Edit: 19 May 2026, 06:31 am by NXSTUDIO-DRUMMER »

NXSTUDIO-DRUMMER

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Another good LPS resource to consider. https://www.antekinc.com/power-supplies/



« Last Edit: 14 Jun 2026, 11:24 pm by NXSTUDIO-DRUMMER »

nlitworld

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That is one clean looking build right there!!! Love it.  :thumb:

tremrej65

Super nice looking amp. Congrats.

NXSTUDIO-DRUMMER

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Thanks guys :thumb:
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Optional upgrades, on how to achieve the highest audiophile improvement on a budget. 

The least expensive approach to achieve higher audiophile capability with a Douk Audio A5.

1.) Replace the stock op-amp with a higher quality pair.
Do your research online, reading up on Op-Amps and their different characteristics. (They do have very different sound traits) I’ve seen for example, SX52B’s as low as $10.00 including shipping. On the other hand, the higher end models can go for a couple of hundred dollars. There are many options on the marketplace. Just think of them like tube rolling does for tube amps. Experiementing with different Op-Amps can help you achieve the ideal match with your other audio associated equipment, by custom tailoring the sound to your needs. I've personally owned SX52B's & Staccato's op-amps, and loved them both, between budget and high end audiophile level op-amps.

2.) Add a LPS.
The least expensive regulated linear power supply that will outperform any other LPS for the price, is a pre-owned Acopian A24H850. You can buy them used for as low as $35.00.  Just be aware, it is at minimum operating 24 volt capacity of the A5. With 8.5 amp's it handles dynamic peaks well, avoiding clipping issues. It will play between 70 to 81 db output in a 125 sq. ft. room verified, using either a NIOSH https://www.cdc.gov/niosh/noise/about/app.html 
or Decibel X, this app measures at a higher decibel output rate than the NIOSH app.   https://www.skypaw.com/decibelx.html 
If your speakers efficiency is between 88-90 db you should reach the level output mentioned above in your listening environment. Testing was also measured with a pair of sub-woofers and two main speakers.

The Acopian 24H850 regulated linear power supply, audiophile wise IMO, is probably the best kept secret to use with a Douk Audio A5, for listening at moderate levels. I challenge anyone to find a better audiophile regulated linear power supply for the money. Granted, it's more of a industrious looking design, however it provides excellent performance & value. I't providing aproximately between 35-40 watts output per channel. (0.005% load/line regulation, 0.25mV RMS ripple) With dynamic peaks your approaching roughly 20–30% above continuous, which will be approximately 45–50W/channel at 8Ω.

Another benefit, the abundant current headroom does buy you, is a genuinely stiff, sag-free rail during bass transients. The 0.005% load regulation spec means the voltage barely moves even under a hard current demand. That's a real, meaningful benefit for dynamics and clarity, but it's different from "more current equal more peak watts."
Compare this to undersized switching supplies, where the rail actually sags under load. There, more current capacity directly recovers lost peak headroom. That mechanism doesn't apply the same way to an already-stiff linear supply at a fixed voltage.

If your listening needs require higher decibel output, check into higher voltage antek LPS’s, https://www.antekinc.com/power-supplies/  Just know, you’ll have to build the unit yourself. I would highly suggest purchasing the regulated power supply module antek sells too. Just know the A5 voltage operational range is between 24-48 volt max.
5-10 amps works great with the Douk amp. 10 amps give you a little more headroom for dynamic peaks.

Very important:   
Prior to buying a Acopian gold box version LPS, be aware they do not have an on/off switch. You’ll have to either buy a switch and incorporate it onto your power plug, or take a 3 prong power cord, and cut off one end of the chord, routing the three wires to the Acopian teminal block. If you do the latter than you’ll either have to unplug at the wall outlet after using each time. Unless the wall plug your using is connected to an on/off switch in your room. For clarity, the Gold box Acopians do not have on/off switch, the Rack mount Acopians do. “But” both require terminating a plug onto the units terminal blocks.
(POWER CHORD MUST BE 14 GUAGE MINIMUM)

For safety purposes you also need to cover the terminal plugs too, since the terminals are exposed. A preventative from pets and children getting shocked. Acopian sells plastic terminal block cover plates, or you can make your own, very easy to fabricate.

The four items to get you up and running, if you buy a Acopian LPS:

1.) 90 degree connectors are a very nice option to consider. Here is the link: https://www.amazon.com/dp/B0B7DD1P11?ref=ppx_yo2ov_dt_b_fed_asin_title

2.) DC barrel, connects onto back of Douk A5 power input.
https://www.amazon.com/dp/B09L4TCTS5?ref=ppx_yo2ov_dt_b_fed_asin_title&th=1

3.) The wire I used to connect the Viborg DC barrel the gold plated connectors
https://www.aliexpress.us/item/2255800641776414.html?src=google&gatewayAdapt=glo2usa

4.) Power plug with on/off switch and terminal already added, for those who want the absolute easiest method of getting your Acopian / Douk combination up and running quickly.
https://www.amazon.com/Conductor-3-Prong-Replacement-Terminal-Pigtail/dp/B0B85GQQRP?th=1


I've tallied up all the upgrade parts for usage with the A5. I've based pricing using one of the lessor expensive op-amps (SX52B's), Acopian A24H850 LPS pre-owned, and all items listed above. Your total expense for these upgrades will cost approx. $160.00 or less.

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Results from upgrades

1. Power Supply Upgrades (Acopian Regulated LPS)
    • Galvanic Isolation Benefits: Breaks the direct electrical connection between the dirty AC mains and your sensitive audio circuitry. This blocks ground loops and stops high-frequency noise from polluting the audio signal.
    • Advanced Safety Regulation: Built-in industrial-grade over-voltage, over-current, and thermal protection safeguard your Douk A5 board from destructive power spikes or failures.
    • Ink-Black Backgrounds: Replaces the noisy stock "wall-wart" switching supply with clean, linear regulation to eliminate high-frequency switching noise.
    • Microscopic Noise Floor: Dropping the noise floor unmasks low-level ambient cues and micro-details that were previously buried in line hiss.
    • Authoritative Bass "Slam": Massive, stiff reservoir capacitance delivers instantaneous current to control speaker woofers with effortless authority.
    • Tighter Low-End Grip: Fast current delivery tightens up low frequencies, entirely eliminating muddy, bloated, or loose bass notes.
    • Expanded Dynamic Headroom: TPA3255-based Class D architectures thrive on clean, continuous voltage, yielding effortless, uncompressed musical peaks.
    • Zero EMI/RFI Pollution: Heavy, external shielding keeps stray magnetic fields and power-line interference physically away from the small amplifier chassis.
    • Significantly Cooler Operation: Relieving the internal chassis of severe power regulation stress allows the entire amplifier to run much cooler.

2. Premium Discrete Op-Amp Upgrades Deliver
    • Unrivaled Micro-Detail Retrieval: Bespoke discrete-component topology uncovers ultra-fine musical textures, like the breath of a vocalist or guitar body vibrations, that standard IC chips miss.
    • Holographic 3D Soundstage: Pushes the boundaries of depth and width, creating an immersive, holographic "wall of sound" environment.
    • Ultra-Fast Transient Response: Exceptional slew rates allow the amplifier to react instantly to sharp percussion snaps and plucked strings without any artificial sharpness.
    • Liquid Class-A Presentation: Imparts a fluid, organic, and velvety tone that beautifully mimics high-end solid-state Class A gear.
    • Articulate Bass Layering: Separates low frequencies cleanly, letting you distinctly hear a kick drum versus a bass guitar line playing simultaneously.
    • Zero-Fatigue High-End: Top frequencies become airy, extended, and incredibly resolving without any piercing sibilance or ear strain.
    • Ultra-Low Total Harmonic Distortion (THD): Bespoke internal engineering drops distortion down to microscopic levels for supreme sonic purity.

3. Broad Op-Amp Rolling Options (Staccato’s Sparkos, Burson, Muses) I'm personally using Staccato's, they sound beautiful, worth every dollar.
    • Eliminated "Digital Glare": Swapping out basic stock chips (like the NE5532) for premium Staccatos, Sparkos or Burson alternatives strips away the sterile or dry character often associated with budget Class D implementations.
    • Custom Sonic Tailoring: Allows you to fine-tune the amp's voice—using Sparkos for absolute neutrality, Burson Vivid for forward dynamics, or MUSES02 for a smoother, tube-like warmth. The Staccato's give your the best balance of all the other's and more. They are truly in a class of their own.
    • Smoother Midrange Glare: Premium op-amps smooth out the upper-midrange, making electric guitars and female vocals sound natural rather than etched or fatiguing.
    • Enhanced Spatial Imaging: Drastically improves channel separation and transient response, giving pinpoint localization to vocalists and instruments.
    • Natural High-Frequency Decay: Cymbals and strings decay naturally into the soundstage rather than sounding compressed, truncated, or grainy.

MY PERSONAL RECOMMENDATION:
Do not use Staccato op-amps with stock GaN switching power supplies. Only use with a regulated linear power supply only. Stock switching power supples run's way to hot for Staccato's. Therefore, you risk shortening the lifespan of a premium op-amp, with a switching GaN power supply, versus regulated linear power supplies.

4. Physical & Practical Notes
    • Tool-Free Rolling: The Douk Audio A5's tempered glass top panel makes swapping and testing different op-amps incredibly easy and straightforward.
    • Chassis Height Clearance: Remind builders that while standard IC op-amps fit perfectly, tall vertical modules like Staccato or Burson discrete blocks require running the A5 with the top glass panel removed or raised. Because the latter two are larger, you'll need extenders for the Staccato's, not sure about the Burson's. I would also suggest building a taller chassis for the Burson & Staccato's as well, for protective measures.

Staccato op-amps mounted w/extenders

If your not interested in building a custom chassis, you could always build a acylic removable box lid, like they us on phono turntables to cover the op-amps. A removable smoked acylic box lid, asthetically, would look great too!



Shown w/ Stacked A5 chassis's, mounted with coverage protection. *Only operate with lid off, class A Staccato's need breathing room.




I've added some photo's of the Acopian Gold Box Style LPS, cables and plugs I used for example. These are the products I listed links to above.













If you have the luxury of adding a tube preamplifier, this will significantly improves the audiophile performance of the Douk A5 even further.

Here are a few photo examples of the top, bottom and back panels painted black. The sides are already black in color.





« Last Edit: Today at 06:18 pm by NXSTUDIO-DRUMMER »

akical

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was just wondering, how realistic would it be to swap out the inductors for something like a Sagami DLM1623M-100M ? I am trying to address the high freq distortion from the inductors getting saturated and improve power handling

nlitworld

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Welcome to simmer time... I mean summer time. Given the 96° forecast today and the sweatbox inducing heat from my EL84 amp this morning, the Douk was dusted off and fired up today. Couple clicks to level match subs and we're rockin. It doesn't sound quite as good, but damn it's close and running cool.  8) Still highly recommend as it plays WAY better than it has any right to.
« Last Edit: 14 Jun 2026, 05:23 am by nlitworld »

Jon L

Welcome to simmer time... I mean summer time. Given the 96° forecast today and the sweatbox inducing heat from my EL84 amp

Getting roasty around here, and I have shut down all my tube amps, not to mention the second floor system.  Battery-driven class D is saving the season, but I do hope this summer doesn't do that "record heat" thing again  :green:

NXSTUDIO-DRUMMER

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was just wondering, how realistic would it be to swap out the inductors for something like a Sagami DLM1623M-100M ? I am trying to address the high freq distortion from the inductors getting saturated and improve power handling

Regarding your question, I apologize for the late response.

Here is a link referring to the inductors in question.
https://inductor.com/product/dlm1623m-100m

The problem with these inductors used on the stock A5 chassis, they are too big. You would have to either modify the stock chassis, or buy a larger chassis, and transfer A5 internals onto new chassis to accomodate the larger Sagami DIM1623M's inductors. The stock A5 Sagami inductor has a DCR of roughly 25 mΩ, and you drop it to 9 mΩ, the difference is 16 mΩ (0.016 ohms). Driving an 8-ohm speaker, that DCR change alters your output signal level by less than 0.01 dB. Human hearing typically can't detect volume changes under 0.5 dB, let alone 0.01dB. The lower DCR only means the inductor itself runs slightly cooler under heavy continuous loads, which does not alter the sonic profile of the music.

Another consideration, if you should require wire leads between the PCB and the DIM1623M's, even a few inches of hookup wire possesses its own stray inductance and capacitance. Class-D amplifiers switch heavy currents at roughly 450 kHz to 500 kHz. Moving the inductors off the board creates a loop that broadcasts high-frequency electromagnetic interference (EMI) directly into nearby analog input stages or op-amps.

You could possibly encounter phase shift in feedback, because the Douk A5 relies on a finely tuned PFFB network, adding the physical distance of external wires changes the phase margin of the feedback loop. This can cause high-frequency instability or oscillation, destroying the high-frequency resolution and potentially damaging the amp chip.

The expense and effort put forth, would be better suited purchasing a regulated linear power supply. LPS's lower the noise floor significantly, also running cooler, increasing the amp's lifespan. Not sure if you currently using a linear power supply?
« Last Edit: Today at 09:34 am by NXSTUDIO-DRUMMER »