Ive been making some system changes and thought I’d post about it. First I’m selling my Sonore streaming system, it’s been amazing and is amoung the best streamers I’ve heard. We just had the lampizator gulf stream in and I preferred the Sonore gear in my system. Sonore is a very good digital company and I couldn’t speak higher praise of them. I’ve really wanted to pull the trigger on the flagship hi-fi rose streamer, but alas I’m a bit of a tinkerer and design nut so I prefer something a little more involving. (Plus I mean 5 grand for a computer is starting to get into silly town, but hey this is a silly hobby). I’ve ordered the Ian Canada I2s streamer and I’m very excited to compare it to the Sonore stuff going into my May DAC and Sam’s DIY DAC. I’ve used Ian’s power supplies and they are wicked good so if he is a similar level of Digital designer, it could be really nice for the money. We'll see I’m a bit sceptical, if it can’t top the Sonore I will probably build an audiolinix based solution.
On some more fun news, I convinced Sam to refine the M4 crossover. You didn’t hear this from me, but the Sapphire tweeter is scheduled to be re-released and we may or may have not ordered a stash

. Sam was eager to get his hands on them again with potential of the sapphire line coming back. And I must say….what Sam did with this latest revision is astounding. I have never heard my M4 or any sapphire sound like this. the stage they throw defies logic, it is massive in every direction. Left to right, up and down, front to back, this speaker is throwing Hail Marys! Things 15 feet to the left of the speaker and things 15 feet deep in the stage and the images are still focused with great intelligibility. I’ve only ever heard 2 other systems do this, one is Ron’s room in Texas and the other is the Magico system at Minneapolis hi-fi. The vocals are also to die for! It’s right there with the Q3 in vocal performance. The way it viscerally places the vocalist while giving them a holographic nature is among the best I’ve heard, right there with the Q3. And last the clarity and detail got dialed up to 11. I’ve always felt like once Clayton had to put a full-fledged crossover on that sapphire tweeter and then later transitioned to a two way on the M4, It lost a lot of natural detail and fluidity. The original M3 was just…. Amazing. I’ve tried diligently to resurrect that in my M4. i’ve gone through a number of design revisions with Clayton and Sam. And alas I’d gotten better then a stock sapphire but never to that level. Until now!! I don’t put this lightly. It’s better than the original M3 (no crossover) in terms of that effortless not in your face detail. It has that same resolution where the sapphire tweeter is playing but those 12 inch woofers just have a bit more resolution than the 15 inch. This has to be the most transparent crossover I’ve heard, and I’ve heard a lot, on different speakers. The downside to these new speakers is that you gotta know what you like in sound and how to get there. This crossover/speaker takes on so much of the sound of your system. If you want a scalpel, they will be that, if you wanna hook them up to a warm, smooth, forgiving system, they’ll be that too.
Spatial needs to come out with the sapphires again lol

