0 Members and 1 Guest are viewing this topic. Read 5033 times.
That is a matter of "luck"...A couple of developers decided to circumnavigate the tagging problem by writing ID3 tags in a info chunk.Indeed, MP3tag does this and Foobar as well.But it is not a standard so use other software and all your tags are invisible.
The reasons I use FLAC- Excellent tagging support including custom tags....- Checksum. FLAC has a internal MD5. You can always check if the data is corrupted.- Support. Today almost universal except of course Apple.
I've never used dbPoweramp, but the website rated which CD drives were best for ripping. Not sure that applies anymore given the improvements over the years.
https://forum.dbpoweramp.com/showthread.php?48320-CD-Drive-Accuracy-2022
that brings me back to FLAC vs AIFF
The MD5 in FLAC is different from data in = data out; it is used to confirm that the data in the file corresponds to the information in the "header" generated when the file (FLAC or any data) was created.
Wonder what you are trying to convey.To the best of my knowledge FLAC –t FileToTest.FLACWill tell you if the audio part differs from what once has been encoded.If so, it is corrupted.
Maybe have a look at ALAC, Apples own FLAC?
The OP was questioning the need or utility of FLAC MD5 because the NAS he is planning to use ensures "data in = data out", which (it seems to me) has nothing to do with MD5 checksum for file data integrity; perhaps I am wrong?
MD5 checksum for file data integrity
The 'data-in=data-out' I was referring to was the higher level of file-level checksums that ZFS uses, and (if enough drives are used) the self-healing aspect of it. Granted, for audio, a bit or two out of a couple of billion that gets flipped once in five years due to bit rot isn't the end of the end of the world like it might be on a system that stores credit card numbers, but it's still nice to have. How that's different from the MD5 in FLAC is what I'm not quite sure of yet...?
Almost all parts of a computer are "save".However the memory of a PC is not ECC so there is a very small change when editing=rewriting the file, it get corrupted.Happened to me on 2 out of 20k tracks.
Compressed (highest level) FLAC is my preferred choice for my master archive library and for use with Roon. Highest compression to maximize space storage. FLAC because it's the best in terms of metadata being displayed correctly in all types of software and hardware. I've had issues where ALAC or even AIFF could not display certain fields (e.g. title track, year). I've had the least issues with FLAC.If for SQ or another reason you want another library in another format (such as WAV with tags), you can do a batch conversion and duplication
Zfs is indeed very good at this. I run scrubs weekly on my mirrored zfs file systems and it occasionally does find, and silently repair, bits that are no longer what they were written as
I first read about ZFS sometime in the last month. I liked what I read. Hearing your comments makes me more interested in using it here. Right now I'm leaning towards TrueNAS. I know I could roll my own, but it looks like they've already done the work, and it would be relatively quick to get online once I pull the hardware together.
What I'm really hoping is for true erasure codes to be implemented in some file system; that would add even better data integrity and scalability. But right now, for my music library, I'm pretty happy with ZFS or MD. I think TrueNAS is an excellent alternative!
I'm a ZFS fan as well. I have a QNAP that has ZFS and two Truenas Scale servers, I use synchthing to keep them up to date. I'm paranoid about losing my music.
I think this is a valuable discussion! Perhaps we should start a separate thread for it? I hate to stray too far from the OP's original intent.
...The question becomes whether I want to make compressed or uncompressed my 'primary' to start out with. Hmmmmm .....
For the portable player problem, it's easy to do a batch-conversion when needed if I want something to listen to on a plane. But, those times are few and far between (which is why I still have my Sansa), and you're not going to hear the nuances of a song with a jet engine that close to you, so I might as well load a bunch of high-bit-rate MP3s at that point. Not to mention that I imagine these days portable players have gigs of memory in them anyway, and plane rides are only so long.