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Embarrassing that I keep a list:1. Monarchy SM70 monos2. PS Audio GCC500 modified by Underwood3. Moscode 401HR4. Wyred SX1000 monos5. Wyred SX500 monos6. Wyred ST2507. Dodd 120 monos8. BAT VK5009. Pass Labs X350.510. Sunfire 60011. Rowland 201 monos12. Belles 150A Refs as monos13. TAD Hibachi monos14. Dared VP-20 monos15. Cherry 4800A16. Cherry Plus17. ATI 60218. PS Audio Delta 250 monos19. Hafler 913020. Hafler SE24021. Hafler XL28022. Electrocompaniet AW22023. Jolida JD202A24. AVA something?25. Xindak ? 200 wpc26. Tube Research Labs Samson monos27. AVA Synergy 30028. Electrocompaniet AW180 monos29. Wells Inamorata30. Atmasphere MA-1 Mk II OTL Tube Monoblock Amp Pair with 6C33 Output Tubes31. Quicksilver V4 monos32. Plinius SB30133. Maker NL14+34. Luxman M800A35. LTA UL with mircoZOTL pre36. VTV AMPLIFIER Stereo Purifi Audio 1ET400A Amplifier w/ PR Sonic Imagery Labs 995FET Pro Opamp, WBT-0702.01 TopLine Posts37. Digital Amplifier Company 2-Cherry
hahaha well seeing bigred's reply, i happen to be sitting here today recovering from some oral surgery i had undergone yesterday, so i got bored and thought for giggles, i would try to think back down through memory lane, and reconstruct my audio journey through various hifi ampsnow the op asked for solid state amps only, but i have included all my amps, including tubed ones, and i roughly tried to list these chronologically by decade (i have been at this fun hobby since a teen)two legend notes -- one is 'SS' marking the solid state units given the op request, and '*' marks what i still have on hand... yes i am a hoarder 70shh scott 480ahk 330i receiver SSyamaha cr 1040 SSsansui g9000 SS80shafler dh500 SShafler 9500 thx SSnad 2140 SSnad 3020 SSkenwood l-07m monos SS90s musical reference rm9-iimusical reference rm10golden tube audio se-40aragon 4004 ii SSacurus dia 100-2 SSmuse 100 SSarcam alpha 10 SSpass aleph 3 SScary cad 805cary sli-8000's to the presentcary 300b sei **wavelength cardinal xs 300b **marsh a400s SSfourier triomphe otl 6as747 labs gaincard SSvac pa 90c **vac ren 70/70vac ren 30/30 **odyssey stratos ** SSc-j cav 45c-j prem 11a xsc-j mf2200 SSc-j lp70sarc vsi 55arc v70 **arc vt100 mk2 **arc vt100 mk3arc vt50arc 100.2 ** SSarc ca50arc vt60 **arc ref 110 **arc ref 75 **air tight atm2 **audio sector patek se ** SShegel h90 SShegel h160 SShegel rost ** SShegel h390 SShegel h20 ** SSprimare i-30 ** SSvan alstine synergy 300 ** SSnuprime ida-8 ** SSw4s st-250 ** SSbelles aria SSbelles sa30 ** SSnaim nait xs2 w teddycap ** SSsony ta1-1es ** SSfirst watt f5 ** SSfirst watt f6 SSagd audion ** SSclass d mini gan 5 ** SSlinear tube audio zotl40 ref **audio mirror set40 monos **
Here are a few I've had....Odyssey Stratos....currently Classe 100
Wow, what a sick mofo Now, which is your all time favorite? haCan you imagine being able to have a stable system so you could even answer that? Me neither.
I find the newer breed of class D amps (like the Hypex) to be fantastic, with shockingly good measurements, 93% efficiency (they barely get warm), and seemingly endless power to below 2 ohms. I can't help thinking that this is the future of high quality audio reproduction.
I think the same thing. I am gobsmacked by how good my Apollon amps are, with PuriFi 1ET400A modules. It is certainly a case of good -- astoundingly good -- measurements resulting in outstanding sound. They are load-invariant, drive tricky loads with ease, and like the Ncores, they never get hot.For rational audiophiles -- not swayed by extra sugar or audio jewelry -- well implemented Class D can indeed be the path to high quality audio reproduction.
Class D amps certainly have come a long way over the past 15 to 20 years. For example, the Primare A35 received a Class A recommendation from Stereophile. IMHO, the approach taken by Devialet, Analog Digital Hybrid (ADH),where the Class D section provides the current, while a Class A amp supplies the voltage, is far and away the best sounding implementation of Class D to date. The concept really isn't that new, as it's a variation of the Peter Walker current dumping approach. Having the DAC integrated into the amp also helps with the sonics. To me, they sound better than any of the Class D amps I've come across. So far, they are the only company that does this. I assume it's because they have a patent on the approach.