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I love the Sony because it makes me happy.
I am listening to a hi Rez recording of Radiohead's 'Kid A'. I am flat out floored by the level of inner detail this amp can produce. In order to prove to myself I am not suffering from early onset dementia, I offer up a challenge. Someone buy this and give it a serious listen. If you don't like it, I will buy it from you for your purchase price plus shipping. And then I'll mod with real binding post and teflon filter caps. Over the years I've read about the mythical 'giant killers'' I think by mere chance I've actually found one. BTW: I will have to admit, that I think small speakers like my Merlins probably work best near field And that might be part of the sound I like and why I was never happy when they were in the main rig in a fairly large room.But I will still stand by everything I've said about the Sony. And no.....I do not work for them or get paid to promote.
Oh one other thing I would like for you folks to give an opinion. When I first got into higher end audio in college, I was told that real audiophile preamps don't have tone controls because they cause phase shifts and screw up imaging. Well I bought into this idea, and did tone tweaking buy trying lot's of cables.But you know what? The Sony has tone controls, and I love it. And I don't go crazy with it......I pulled up an old CCR tune, and it sounded a bit dull. One click on the treble made it sound more balanced. If the basic timbre isn't there, then does it matter if it sounds holographic? I do semi pro FoH sound engineering. I manipulating EQ on everything. But I do still believe in the mantra of 'cut first', avoid 'boost'.I'm thinking that part of that fun factor I mentioned above regarding the Sony......is that it sorta shatters these myths I had believed in for years. An amp does not have to have matched set NOS tubes sprinkled with fairy dust to sound good. So what if it doesn't throw an image outside of the speakers or seem to have depth to soundstage. IMO, there are very few recording that have that sort of spatial information anyway. Maybe part of getting older is just saying, ya know.....90% is good enough. The last 10% is a fools errand.
Ok, so we are now more than a month in....right? By this time, the buyer remorse should have set in and I would start picking it apart. But you know what? I can find no fault. (other than the crappy speaker connections) I normally hate 'consumer' grade audio because of listener fatigue. Guess what? There is none with this receiver. I am not suggesting anyone dump their high dollar amps to go buy Sony receivers. As I have noted, I think part of the fun I'm having is running the Merlin monitors near field. It makes me want to get my Odyssey amp repaired and use them, along with my Mapletree tube pre in this set up.But I will swear on a stack of the 'The Absolute Sound' This receiver does virtually nothing wrong. It falls down in the last 10% of refinement, but what the hell do you expect for $130? But I'm listening to music again and having fun. I say up way too late rocking out. (or jazzing out......still a jazz fan)I am still seriously considering buying one to try to mod. It is that damn good.