Maybe Jay can post some pics of the renderings that he sent me for the lower end we're working on.
That is a pretty apples and oranges comparison. High sensitivity verses very low sensitivity. Small amps work fine compared to only large amps can be used. Small baffle size compared to large baffle size. Broad room filling sound and large sweet spot area compared to a very small sweet spot. High level of dynamic and detail levels compared to low....
So do I have this right?
High sensitivity, small baffle size, broad room filling sound, large sweet spot, high level of dynamic and detail
Low sensitivity, large baffle size, small sweet spot, low(er) level dynamics and detail
I’m particularly interested in your assessment of soundstage/image size, dynamics and detail. The .7 I heard (I posted about it here, post# 42 https://www.audiocircle.com/index.php?topic=159659.msg1747105#msg1747105
), sounded great with smaller acoustic assembles and voices, but not as good with a full orchestra going full tilt. How does the Super Mini handle this?
I don’t want to derail this thread, so let me know if you prefer PM or for me to start a new thread to discuss this.