"Darn that Dream"
Art Pepper et al
1982, 16 bit digital recording, direct to disc w/ modified AKG mics
RealTime Records, division of Miller & Kreisel
Outstanding. A recording that I think proves that it matters much less "how many bits" a recording was done in, etc. or whether it's analog or digital, as compared to HOW the recording was done. I have plenty of SACD's and appreciate them. This recording is right up there.