jriggy:
Just bass?? Square rooms tend to reinforce at resonant frequencies (60 Hz sound waves are about 18 feet long, sound travels in air at sea level at 1100 ft/sec. divided by the frequency). That's why the ideal 'real world' rooms are rectangular with room dimensions that avoid multiples (like 1:1 or 1:2). The ancient Greeks found out, in building those stone temples, to avoid echo by developing the "Golden Rectangle" (5:8 ratio). My listening room for instance is 8 ft x 13 ft x 21 ft as per the Cardas Golden Cuboid. Perhaps treating the room assymetrically is the answer (put all the absorption on the "cubby hole" wall) would help as absorption helps acoustically "push the wall away".
I don't think the ceiling slope will be a significant issue as it's not severe.
RR:
Looks like you stole the room from a former member of an audio club (but he has another door at the window near your piano) and his system is set up beside your door opposite the kitchen.
Hipper:
Yes nearfield set up minimizes room effects. I do nearfield with speakers 10 feet apart, 6 feet from the front wall, and 6 feet from the listening chair. I kept spreading them apart until the center image disappeared (recording dependent). The front of my room (in basement - no windows) is dedicated to audio and is empty except of gear, chair/ottoman, and six GIK 244 panels (but it's my man cave, so aesthetics be damned).