So I listened to it as a buffer at 0 and +9 gain and as a pre-amp. It's only been a couple of hours and I've been switching it on and off - to switch between the 4 choices. Again because there is a buzz in it as a pre, I can't say this is definitive. I'll leave it on and see what happens from now on.
Didn't play it as +9 gain pre-amp as my above post. At the normal setting, I found the Odyssey Tempest a bit more veiled in the mid-range and high frequencies and not quite as forward in the soundstage as the iFI. I only compared them with one song after an hour of listening to it as a buffer.
As a buffer between my AVA Ultra DAC and the Tempest, I much preferred it at the +9 setting. The upper end (the cymbals in F. Mac's Warm Ways) was more clear and had a more forward presentation.
The X-bass I don't think is really needed if the recording is good. On older material, it's great to boost the bass in each song by 6 or 12 db.
In the 3D setting, the sound was richer (fuller?) and more expansive at the 30 degree + setting. Surprisingly, the + had less soundstage than the - setting!
Like Mike above, Push Pull sounded richer and more forward and just more there than the normal setting, while the SET setting made my system sound almost mono.
The other thing that I noticed compared to my normal system was there slight loss of initial attack in the bass (plucked bass and deep drum hits) but after all, it's a tube component in the system.
Overall, it does make the sound more enjoyable (Push/Pull, 30+, +9 db buffer) than my normal system so far - tube smoothness, I guess and a more expansive soundstage.
I haven't tried it between my pre-amp and amp or with the CD player.... yet.
Asus laptop (Yes, I know it's a weakness in my system

) > Dragonfly Jitterbug/USB Regen
AVA Ultra DAC - Morrow MA1 cables
Odyssey Tempest - G. Huffman EX+ cables
AVA Synergy
Philharmonic New Philharmonitors