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Well, I was finally able to do the planned changes to my system and I thought it would be ok to share it here. It didn't end up aesthetically the way I imagined, but I am also not disappointed. The original idea was to make new cabinets for the subs so they appear like P3s big brother and put two pipes (like from the stands in the posts above to bind them), but...The main thing is, I got the sound I wanted i.e. P3s which sound a tad bigger, and was also able to free them up of struggling to play bottom two octaves.What you see is in pictures as a black box on top of LIO is a PC running Win + Roon + HQPlayer with Tidal and local library. Everything is upsampled to DSD128 (max what current DAC supports, and this will be upgraded in June with new DAC module). It is a fan less Streacom F5 case which I modded a bit to accommodate Nocuta's 120mm ULN fan which blows the air in through a dust filter for some air flow. It's gonna need it once the new DAC comes in.Under the PC, there is, of course, LIO with AVC/Tubestage, DAC and a 4 ch amplfier. Two channels are full range and two have HPF @100Hz 24 dB/octave. P3s are connected to those HPF outputs and are placed on Rythmik F8 subwoofers which are LPF @100Hz 24dB/octave. Subs are connected to line level out from LIO and through miniDSP so one can control bass response up to 100Hz and easy integrate them with the room. I actually had to add a small dip around 120Hz. When you look at the P3s bump in the bass region it all makes sense why it was there. I place myself on a chair between the speakers, put a blanket on the TV (I actually move the TV back on the AC, all the way to the window to get deeper sound stage, but I also have to bring it back post listening to please my better half ), and listen in a near filed. There are some 3ft between the tweeter and my ears. Also, the speakers are bit closer to each other than in the pictures.All in all, I must say I am very, very happy with this setup. I was at Axpona yesterday and left it with a big smile on my face. There were many, many rooms which were not able to compete with my setup at all (this is only my opinion of course, many could/can disagree). I liked Vinnie's room, but on some songs the bass was too strong. Obviously, the room was a small hotel room and one would expect some bass issues. Vinnie's room was surely in the top three rooms there imho (I liked Spatial's new M3s a lot too).My point in this paragraph. Using miniDSP on F8s between LIO's line level and F8's amp helped me get rid most of the nasty bass issues one could have in a room. Combining miniDSP for lower two octaves, charm of P3s and near field placement brought a system in my living room I can enjoy for hours and hours. I still cannot believe I was able to create relatively small system with huge sound, put it in my living room and get almost zero complaints from my wife.
Bravo! That is one beautiful setup you have.
Congratulations, mirekti!
Looks great!
I used Herbies Square Dots between the F8's and Omega's.
This is very similar to the Salk Exotica 3.
For what its worth, the Salk Exotica 3 runs about $12k. My Rhythmik/Omega modular speakers cost me about $2,500 (I bought them second hand). However, even at full retail they would have been less than $4,000.