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I think there are 2 approaches Vandersteen is taking. One is to provide audiophile level sound within a reasonable budget. They accomplish this with the 2 CEs, 3As and Treos. The second is to appeal to the sector which can afford to, and wants to, spend more. That starts with the Quatros up through the Model 7s with VanderAmps and now the Sub Nines. I think both markets can be served by them.
Distributed subs provide much better bass than single or stereo subs, as featured in the Model 7's, 5CT's and Quatros, even with an 11-band EQ. Putting 2 or 3 additional subs in an assymetric array around the room will obviate the need for EQ and overwhelm the dominant room modes below 250 Hz. Research by Toole, Geddes, and Wente at Harman Kardon have conclusively proven this.Vandersteen is a very smart engineer and he can read. The 9 subs will allow a prospective Vandersteen owner to set up a distributed array which includes all "like" Vanderteen subs. This makes perfect sense to me. A pair on Vandersteen 7's with a pair of Vandersteen 9 subs, properly balanced and placed would be simply awesome to experience.
The Audio Beat has a brief article on them. They are now available as a regular Vandersteen product. (If you have 7's already, Vandersteen can match your finish.). They are only available in PAIRS for $20k. This confirms my suspicion - Richard has discovered the benefits of distributed subwoofers. Placeing one on each sidewall, 2/3 rds of the way back would probably work pretty well, but I would experiment with setting them asymmetrically - maybe one in a back corner, and the other on the opposite sidewall halfway back.The main speakers should be set out into the middle of the room to best project the midrange and high frequency. The integrated subwoofers, combined with the dedicated subs at the room boundaries, should excite all the room modes pretty equally.