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Vinne,Would love to know how AVC+tubestage (which is what I have now ) compares to RVC+DHT pre? Regards,Kishore
Do you sell this LPS separately? Some people might want it as some claim any SMPS will inject hash back into their system. While it doesn't matter if they use a fully decked out LIO and/or VR120 but some may use other amps or even source. Just a thought!
Would love to know how AVC+tubestage (which is what I have now ) compares to RVC+DHT pre?
I hope to do this comparison in the next few weeks.Will post my thoughts once it happens.
Hi jtwrace,I do not sell it separately, but could offer a 24V only version (same enclosure, but with only one output) of this linear power supply.I'll plan on that in the next month or so... thanks.Thanks,Vinnie
Hi George,We'll make something happen in the next week or two! Thanks,Vinnie
Srajan,s write up is right on. I haven't written up my impressions yet, but right now I'm not hearing everything I was able to with my Joule Electra / Moondog (2A3 SET) combo. Yeah, it's quieter, possibly more detailed (depends on the tube used - more on this later), and possible more linear, but something is missing. This is the magic Vinnie is talking about. I've been using 2A3s for 15 years, and maybe I had a serendipitous match, but in many aspects I had what was considered "Ultra-Fi". The current LIO is close, so very close. I'm hoping the DHT option is the last piece.I'll be placing an order as soon as I get a few things figured out.
Could you post some photos with the tube covers, please?One other thing. If one goes with the DHT can one add the amp to LIO or one has to go with VR120?If the latter is the case, can one eliminate the preamp section in VR120?
After reading Srajan's initial write up of the DHT Module on 6Moons, I am curious if you worked out the isolation/vibration control of the tube sockets and the board?Did you end up using the Stillpoints interfaces?Will there be improvements that could be made here?
Any idea of cost or is this a new addition that you need to figure out? Maybe offer both so if someone does choose to go to DHT the PS is all done.
Is a remote still available with the DHT PRE?
How long could one use the tubes in DHT before they need to be replaced? How long is it for AVC/Tubestage?
Hi jriggy,The LIO DHT tube sockets (Yamamoto - solid teflon UX-4 type) are each mounted above the board via two brass standoffs. Next to each tube socket is a slide switch (for setting filament voltage), which is part of the "SPVR" super-regulator daughter board mounted to aheatsink (again, one per tube socket). In between them (touching them both) is a dampening material called Herbie's dBNeutralizer.So this absorbs lateral vibrations quite well.Under the PCB (under the brass standoffs) is more damping material that absorbs vibrations that might have been transferred to LIO and sent up to this LIO DHT board and up to the tubes.Each tube socket has point-to-point wiring to its 4-pins, and has a custom white cardboard tube that contains circuit elements and they are all set into an epoxy that damps them and damps the tube pins / socket even further. Wires coming out of the epoxy connect to the PCB, which then get sent to the gold plated header pins that connect to LIO's backplane (motherboard).I am not using Stillpoints. But I am curious about a different set of feet for LIO - the Herbie's 'Tenderfoot' (Tendersoft). If these make an improvement with LIO DHT PRE, I'll be sure to post about them. And I've heard that the Herbie's Tube Dampers can be helpful.Microphonics with LIO DHT is not going to be much of an issue. If you tap away at the LIO, expect to hear it in the speakers (microphonics). If you don't tap on it, there really are no issues there - so don't tap the LIO's enclosure, flick the tubes, or anything silly like that! I've read posts on forums discussing DHT Preamps being so microphonic that simply clapping your hands in your listening chair can be heard through the speakers. That is *definitely* not the case here! It well under control, as is the noise. I don't think any other DHT linestage has it all taken care of quite this well (just based on what I've read about others that have come before from users on various forums). And sonically speaking, it should make a very bold statement.Vinnie
Is swapping the DHT in place of the AVC/Tube stage as easy as swapping other modules? In theory could one have both setups and swap as their wants change?
- I have no photos of the tube covers yet - I won't have the covers until the end of this month. Think aluminum cylinder (closed top, closed walls) in aluminum ('silver') or black anodized finish to match the DHT PRE's top panel (or you can mix and match). On the bottom of the covers are two small L-brackets (180 degrees from each other) that allow you to screw them down to the top panel via two small 4-40 screws per cover. I don't use them, but I know for some, they want to cover the large tube's glass from pets and children, so the covers have their purpose (and I do find them needed to shield the 205D tubes from picking up hum because those tubes have high plate resistance and really need the shielding to be as close to hum-free as possible).Vinnie