I've had the rhodium in the wall since last Monday, replacing a Maestro. The outlet was burned in already.
The improvement in detail was immediately obvious from note one. Not hard edged detail, but natural detail accurate and true to the recorded event. This is a neutral outlet. It simply lowers the noise floor and allows you to hear leading edge attack and delineated or gradual decay more clearly, especially on bass notes. Not only are stops and starts more obvious, but the fine harmonics and timbre of instruments between each end of the note. To say I was surprised by this, from an outlet, would be an understatement.
As a metal and hard rock fan, the price of admission would be worth it for kick drums and double bass triggers alone. Clear as day. In my system, bass was the biggest improvement. It doesn't stop there however, but it was slightly less noticeable higher in the frequency range. I don't want to sell it short, because I'm sure someone could disagree with me, but this was my experience. I will also say that there is a smoothness here that the Maestro doesn't have. You'd never know that though unless you compared them.
Drawbacks? None, really. Except I've gotten used to it now and want another one for my Uber to plug my amp into. My system could be described as "musical" more than "detailed", so for me this was exactly what the doctor ordered. If you are teetering on the edge of hardness/sibilance, look at the Gold.
Speaking of the Gold, I have one burning in while it feeds my two plate amps (bass drivers on Hawthorne Trios). I really don't feel like installing it in the wall for a comparison and would rather return it, but I will anyhow and share my impressions for the AC community. Who knows, maybe I'll prefer it.
Rob