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I'm a bit concerned the LIO may not have enough peak power/current for the Dynaudios. Peaks in classical music (and also in movies) can be +20dB or even more. However, my current amplifier is 40wpc Class A SET and it does a fine job. In my experience SET amps do sound a lot louder than their SS counterparts due to the soft clipping of tubes and as such the 120w of the Devialet is comparable.
Vinnie,Have you the heard any of the Expert Devialets (120, 200, 400, 800) with speakers on their SAM list?http://en.devialet.com/speakers/?utm_source=Members+EN&utm_campaign=7167fcde96-NL1_EN&utm_medium=email&utm_term=0_707f1626e4-7167fcde96-129926517
Bottom line, this amp must be so efficient maybe due to the ultra caps that you really don't need more power.
I'm still waiting for the separate 200wpc amp soon to be released (right Vinnie?).
That way I can pump the internal to a pair of really nice Vienna Acoustic bookshelf speakers I have and the soon to be released beast to the Dali's. Why Not? Actually, Vinnie, can I do that?
However, saying that, even if I don't 'need' more power, I guess I just 'want' more.
Hi jhm731,Yes to listening to the Devialets (the 120 and 200), but no to listening to SAM with speakers on their list.Vinnie
Jhm Which speakers are you using with the Devialet and SAM?
I'll provide that info to Vinnie, if he's interested in sending me a LIO.
Since I'm in HI right now I would've island hopped to come listen. I love this place.
Enjoy your vacation, I doubt Vinnie will send me a LIO.
Vinnie,If you send me a LIO, I'd be happy to compare it to my Devialet on my SAM ready speakers and post my results here.I'll turn the Devialet's output power down to match the LIO's.
Just to be precise - the Devialet is NOT a class D amp. It produces the audio signal purely in class A and then a switching amp is used to provide current. The technology is a proprietary Devialet invention.
While not the same, LIO uses Class A (Tubestage - and input mosfets of the speaker amp) to set the output voltage, and power mosfets to provide the current to the speakers. It's still what I would call a Class AB output stage in the case of the LIO. However, the most important thing is the sound. You can achieve excellent sound from Class A, AB, D, T, hybrid. It's all in the implementation. Vinnie
As someone who strongly considered a Devialet prior to purchasing my LIO (and even auditioned one at home), I'll make a couple comments...1. The Devialet amp is technically class D but pushes on a class A source signal (lots of literature on this that I still don't fully understand). It is one of the main propositions of the brand. It isn't SET quality class A in my opinion, but it is pretty good. And the power ratings matter - the 240 will sound significantly more authoritative than the 120 on most speakers.2. Everything is done in the digital domain and converted to analog only at the time of amplification (again, lots of literature that I don't quite understand). The phono stage (operating in digital) is surprisingly good and is actually the favorite stage of a dealer friend. I believe the latest PS Audio phono stage takes a similar approach. This seems to be a growing trend.3. Like almost all AC powered equipment, it requires good clean power to operate optimally. We're talking expensive cords and power regeneration equipment in order to match what you get from the LIO's ultracapacitors for free. This was ultimately it's downfall for me.4. Finally, it can be finicky to properly configure - especially if you don't use an existing speaker profile. If LIO is like Mac/Windows plug and play, Devialet is more like UNIX command line configuration. Not fun for the average person (though presumably once you have it set, you don't need to re-set it).Bottom line, I think the Devialet and LIO are aiming to serve similar audiences, but it is not an apples to apples comparison since the ultimate price for the Devialet likely will include AC conditioning equipment and good power cords. And for my tastes, having the tube stage of the LIO gives me that touch of 'air' that I feel the Devialet lacked when I auditioned it.As for specific comparisons beyond what I've mentioned, it's been too long since I've listened to the Devialet to give you more. But I have zero regrets with the LIO and won't be looking back. TimLIO DeluxKEF LS-50Auralic AriesRega RP6Anticables
The 'touch of air' is exactly what I'm worried about missing with the Devialet. The fact the LIO has a Class A tube buffer and that Vinnie is the one who designed it makes it too hard to not audition.PS. I can only go from paper, but your system seems balanced and well thought out. I'm sure the music sounds great. I'm glad to hear you're satisfied and kicking up your feet. I'm looking forward to the same - hopefully in the next few months.