Differences in sonic characteristics of polyester vs polypropylene capacitors of the same value are well documented: do you believe in using polyester caps for loudspeaker crossovers? Also, these capacitors will measure differently, polypropylene is a lower loss dielectric. Every cap is going to absorb some signal, and then release that energy as a time delayed signal, the less signal loss is, the less time smear will be audible. If we had a "perfect" cap, none of this would matter, but components are never perfect. The closer to perfect the cap becomes, the closer to transparent the filter circuit is.
What I do not understand is the reference to outer foil? Wimas are stacked caps, they are not wound right? So how is there an outer foil?
As to whether Hypex could use something "better" than the Wima polyester caps, that would probably require having a custom cap built, which would be possible, but raise prices.
I have noted before that Mola Mola states clearly that their amplifiers use, what sounds like, a custom "monolithic" capacitor for the output filter (as opposed to the film caps on the OEM NC-1200 modules). So, it appears that Bruno does accept that their are different sonic signatures for different capacitor types. To me, "monolithic" typically indicates a ceramic cap, which is odd, as most audio folks feel ceramic caps do not fair well for filtering analog signal paths, any ideas on what os going on with the Mola Mola amps?
Revel: thanks for great pictures of your mods!