I got the Dave's XLR cables from Anand about three weeks ago and am just now posting my impressions. My apologies for not posting earlier. Two business trips and care giving for my Father-In-Law doesn't leave much time for hobbies now a days...
My listening was conducted with Dave's XLR IC's and then unexpectedly, I also received a package full of Dave's RCA IC's. Most of my listening was done with the XLR version.
The setup for these listening sessions were as follows:
Source: C.A.P.S. v.2+ with JRiver feeding an Exasound E20 MKIII DAC
Amp: Modwright KW-200 Integrated
Speakers: DIY'd Selah Audio TRT Model
Speaker Cables: MG Audio Planus 2's
I listened to a variety of classical recordings which included:
Beethoven String Quartets recorded by the Cleveland Quartet
Mahler 2nd Symphony - DSD version recorded by Ivan Fischer and the Budapest Festival Orchestra
Madrigal Movement from Prokofiev's Romeo & Juliet recorded by The Cleveland Orchestra/Maazel
Toccata & Fugue from the DSD recording by The Jacques Loussier Jazz Trio
Promenade from the Lucky To Be Me album recorded by Taylor Egsti
I found Dave's XLR cables to have a very nice quality overall. There was no lacking bass. The mids to my ear had a bit softer quality than the Furutechs that I have been using. The highs were also a bit (and I mean just a wee wee little bit) more subdued than the Furutechs as well.
One of the traits of Dave's XLR cable which really showed up during my listening of the Beethoven Quartets was the speed of the cable. What I mean by this is that I could hear the inner voices(2nd violin & viola) a bit more clearer on the Furutechs. In addition, the faster figures (16th note runs) were a bit clearer on the Furutechs as well.
This in not in any way saying that Dave's XLR cables lacking. I am nitpicking. Unfortunately, I am cursed with a classically trained ear and where Dave's XLR cable might shine on other genre's of recordings, I preferred the house Furutechs in these listening sessions. In addition, the MW KWI-200 leans on the side of warmness. Especially, in the mids. (in a very musical way) so I think Dave's XLR cables were just too much of a good thing. In a bit bighter system, the XLR's might just be the ticket!
What was totally unexpected was when I decided to go ahead and try Dave's DD RCA cables. I really had no intention of using them as I run balanced but I went ahead and ran them between the Exasound E20 MKIII DAC directly to the Modwright KW-200 Integrated using the HT Bypass, thereby bypassing the Preamp section of the KWI-200 and using the VC from the E20.
The resulting sound was VERY NICE!! Not as transparent as the previous setup but lemme tell you. I really didn't care. The overall presentation was extremely clean without being harsh. I then went ahead and tried the D1 and D2 cables but my favorite (by not a small margin) was the DD.
On every recording it just sounded good. Sometimes I would be wanting to hear more information but then told myself to just chill out and enjoy myself. Well with the DD cable that is exactly what I did.

For what Dave is charging for some very well constructed cables, you really can't go wrong.
I appreciate being part of this tour and again my apologies to everyone, especially Dave for being tardy with my comments.
Regards,
Randy