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Going to go a little wonky: Just saw the HFR 48fps version and wow - depending on taste, one will either like it or hate it. I hate it. Basically the movie looks like video. Like the most expensive BBC Video production from the 1980s. If you are the person who likes how new TVs can make movies look like soap operas then with the 48fps it's your birthday. I don't know what Jackson was thinking. No one is going to pay that kind of money to watch Days of Our Hobbits in the long run. Actually I can see why he went for it: CGI creatures and 3D look much, much better in this format. In fact the CGI creatures look better than the live action. Here's why:I just found out The Hobbit was shot with the RED HD camera. I knew something was not right today when I noticed that the resolution of live action scenes seemed to be lacking. You can see the slight pixelation in certain scenes. And some scenes I kept thinking the resolution in the LOTR films was much better. All these scenes that bugged me were live action. Anything with CGI was incredible. Part of the reason I went to the 48fps was because I was a little unsatisfied with the regular 3D and now I know why.I know most people won't care, but just like golden ears and gear, I can tell when something was shot on HD almost everytime. The Hobbit fooled me most of the time, but not all of the time. And it's a shame, because I think HD cameras are a notch down in overall quality. I also think unconsciously the end result has made an impact on some of the disappointing reviews of the Hobbit. Not unlike digital vs. analog debate in fact. When you're listening to music and you know something just isn't right. Yeah it's clean and all, but... Speaking of which, even the SOUND had digititis. Not sure what the difference is between the regular 3D audio and the HFR audio but they are not the same. The 48fps audio is flat and just kind of weird. So it's no wonder films like Avatar look phenomenal in this medium - it's all CGI and you can get all the resolution you want with CGI. The 48fps will be perfect for it. But live action - no way. And now I believe Spielberg and Nolan are 100% right on sticking w/ film. Jackson should have gone with the RAW digital format (not HD) used for Skyfall if anything. THAT looked amazing. HD can be great, but it's just not as good as film.
Apropos of nothing there was also an armed security guard. He wasn't a cop, or at least not on duty (he wore the uniform of private security). It's the first time I've ever seen an armed guard at the local Century Theater and to be honest I was very happy to see him.
I don't have a problem with any method of effects from paper mache to CGI so long as it's effective and works with the story.
Another thing about CGI - you can make it look fantastic in about any resolution, even SD. Everything can be super crisp with no jagged lines, perfect vivid colors and lighting, since they can tweak it so much.I believe that not as many theaters as you would think are capable of showing some of these films in the way that was intended, nor are all the operators trained to do things the right way in the theater. I think it is like CDs - are they recorded correctly, are they mixed correctly, are they pressed correctly, is the CD player of sufficient quality to give a sound up to expectations.