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This shootout is useless for us. Those guys are home theater buffs. Two channel audiophiles are a different breed, and our desire for quality bass is quite different. I have two subs -- one for HT and one for audio, and they are very different for obvious reasons.
Danny, an off-topic proposition for you. Since you're so big on vehicle acceleration analogies, how about we have a little competition on a real drag strip? I win you give me a pair of your dipole servo subs. You win and I'll buy a set at full retail? The only criteria is you race your daily driver and I race mine. Deal? We'd have to meet up somewhere between Texas and Seattle.
Frankly, his (and his acolytes) constant hyping of everything he makes and consequent slagging off of every other manufacturer is rather tiresome and why on some respected forums mention of his products is specifically (and uniquely) banned.
Danny is being disingenuous here.A decent dipole sub can easily hit 105db somewhere in the bass. At high enough frequencies they will output more than a monopole. Mine (2 x AE IB12s) will theoretically do 113 db at 71Hz and 104 at 50Hz. However they will only do around 80db at 20Hz.So while his GR subs can probably hit 105db, and can also probably play flat to 20Hz, they can't do both at the same time.
Well... right. Box subs and OB subs sound different. I can see the reasons why a boxed sub would benefit from servo as there's nothing you can do in designing the driver to remove the compression of the air in the box. With a driver in free air, though, it's different... This thread has pretty much convinced me that servos for OB are basically a gimmick. (Not that I was about to buy any any time soon anyway, I have enough OB drivers to last me a while...)
Another thing that has me "baffled" as I just thought of it.. Does the bass in music have a "braking" and "accelerating" phase? I think, logically, I'd prefer a driver that could just follow the signal as closely as possible.
Weee... ellll... you know, this is where the claims begin. Earlier in this thread there was the claim that lower moving mass was better. When it was shown that a different driver that is otherwise pretty much the same thing has almost half the moving mass, the claim was altered to the mass doesn't matter, what really counts is the whole system. The question about Le was avoided, twice, with the answer now being that none of the T/S parameters matter anyway.I dunno man. As they say, YMMV...
For what I know, DEQX isn't adding anything to the signal path. Just the opposite; the main reason I'm interested on it, is the possibility to get rid off of one of the biggest problems in the signal path; crossover's analog components. During my 20 years of hifi hobby & DIY, I have noticed that the one place to get great improvements is tweaking the crossover with better quality components. Speakers even with 5k price tag seem to have a bottle neck in their XO's. Yes, amplifiers and DAC's do always add more or less coloration to the sound, but the coloration that crossover adds seems to be much bigger, and component changes can have a huge effect to the sound.Of course, I don't have any own experiences on DEQX yet. But, during last 6 months I have read pretty much everything that there is written about the DEQX in the internet, and I haven't found a *one* article where DEQX would have not been better than original analog crossover. I found few articles where the result was not so great at first, but after more studying, it was found that it was not used correctly. It surely isn't simple "plug and play" solution, that's for sure.And concerning the DAC's. First of all; Burr Browns on HDP-4 have been getting really good reviews everywhere. HDP-3 was way behind in this area, and older 2.6 seems to be total crap. Secondly; HDP-4 has digital outputs, so if really wanted, you can use any DACs you preferr.
I've followed this thread with a combination of amusement and amazement and finally have to interject. If anyone is familiar with the old analog synth Roland 808 drop, the fundamental is 18Hz. At RMAF we had people's pant legs flapping and glasses in the bathroom rattling around on the granite countertop. The music piece in question is Pete Belasco's "DEEPER". A low frequency tour de force. Anyone that was there can attest to the feeling of air shuddering in the room at 18 hertz as well as the limit of audibility sound associated with it.A high Qt, high excursion, properly implemented (NO accelerometers), servo controlled subwoofer is anything but a "gimmick". It is an experience that is life changing. At least it was for me. NEVER again will I go back to big box colored bass. This is the real dealYMMV until you hear 'em.Dave
Disingenuous? Not at all. I know because I was there. SPL's in the 105-106dB range for the loudspeaker - NOT the sub by itself. Powerful reproduction @ 18Hz as mentioned later on in this thread. Tight, tuneful, power bass at ANY volume level. Beyond that all of this is apples and oranges.Dave
I do like a challenge, but that is too far for me to drive for a servo sub sale. And I am not really that interested in making my daily driver a drag car. I have already been there and done that.
Want to see just how effective the servo system is on our OB drivers? Easy. While listening to them, unplug the sensing coil and listen to the difference. With the sensing coil unplugged it will be just like any other high Q uncontrolled (non-servo) woofer. Then reconnect it and listen again. The difference is not subtle. It is a BIG difference.
I have really learned this year that the sound quality of a DAC is about FAR more than just the chips used. There are a ton of other things that can add noise to the signal.
Should be easy for you to demonstrate with measurements then, right? Let's see them.
Speaking of measurements, it should be easy enough to prove the output claim too.Here's a site with test tones:http://www.testsounds.com/SteveKelbey has a set of Super Vs. Just get him download the 20Hz test tone, fire up an SPL meter, play it at 100dB and report back what happens.
Hopefully we'll see some 8" servo data too as they are supposedly capable of 20Hz.
Danny is being disingenuous here. A decent dipole sub can easily hit 105db somewhere in the bass. At high enough frequencies they will output more than a monopole. Mine (2 x AE IB12s) will theoretically do 113 db at 71Hz and 104 at 50Hz. However they will only do around 80db at 20Hz. So while his GR subs can probably hit 105db, and can also probably play flat to 20Hz, they can't do both at the same time.In spite of this being pointed out numerous times, he persists in fudging in the manner above. Frankly, his (and his acolytes) constant hyping of everything he makes and consequent slagging off of every other manufacturer is rather tiresome and why on some respected forums mention of his products is specifically (and uniquely) banned.It makes many people dismiss all of his products as nothing but hot air.I recommended his servo subs in the OP's other thread, but I did so grudgingly for the reasons above.