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Thanks for the pictures Phil A.More CAF pictures here:http://parttimeaudiophile.com/Did you hear the Volti Audio Vittoras?
I was going to post similar detailed comments on day 2 / 3 as I did for day 1, but humbly came to realize that probably no one wants to slog through all that.
Warning Phil - no double entendre intended I can almost start to understand some folks case for mono as it allows you to focus on other issues vs the soundstage and imagining, though that seems needlessly luddite and throwing the baby out w/ the bathwater, so to speak.Anyway - perhaps another topic for another place & time.
Who me - sweet innocent me I only make comments like that at dinner talking about whether someone has Manley stuff or not
Why do vendors feel they have to play music so LOUD!@!@!@!
interesting comment about the mono. in the high water sound room, there was a dedicated fono stage and tonearm/cartridge for mono recordings, and i can honestly say that the mono recordings i heard in that rig were absolutely fantastic. there was no wanting anything more, re: soundstaging, etc. i don't know how or why, but that's the way it was. it simply sounded fantastic. and i am definitely into the soundstaging thing. there was one dave brubeck recording circa 1957 that was to die for. i actually liked what i heard so much on friday, that on saturday i brought an old mono ramsey lewis recording i had (circa 1958); it too was great.doug s.
AJ. Thanks for coming this year and last (pics below). Maybe after I get settled in down there sometime next year, I can see if the Space Coast Audio Society is up for a show on a smaller scale.
Thanks Charles : you all were the best hosts. Should have come back around when things were optimized. As they say : it's that last day when the sound really comes together. Despite the overly cranky comments, somehow I think it's important & useful to be honest, and you have taken the comments like a gentleman, and not been defensive as is usually the case. Look forward to next year.
Would love to. Have a friend on the coast and could make it a whole weekend trip. We also have a club here (Suncoast Audio Society) with monthly meets and solid attendance/membership.With the way this show went, I'll almost certainly be back next year. Perhaps in a slightly less narrow shoebox for a room .cheers,AJ
Da truth is da truth no matter how ones slices it. I believe you would have heard a different presentaion late Saturday or better yet on Sunday. I walked in the room after touring the show and heard nails going through my head in 816. WTF. VTA is a wonderful thing when right and a horror when not right. Detail is one thing but harsh and bright is another. Next year I'm going to put an explosive device on the VTA tower and that should stop them . I also feel a 1/2 W resistor is needed in the tweeter section. As there is no crossover me thinks it needs a slight voicing. My personal pair will have that resistor and be internally wired with Duelund CAT hook up wire. Anyway what I'm reallyexcited about is the BG Radia subwoofer system and the Arion class "D" hybrids with Duelund CAST output caps. 1000W/4 ohm and 500W/8 ohm. charles
Can anyone say which BG subs were used and how many? Were they the:BGX-S12BorBGX-S6Bor something new? Thanks, Rocket_Ronny
Dual 12's with the bgxa2 amp if im not mistaken. $3900 for the whole lot I think. About what one reference class sub would run you from the likes of Rel Velodyne JLAudio etc. But maybe in line with TOTL SVS. As good as those are, I'd take the BG Radia.