Well, we're at about 166 hours now (barely 4 minutes off in 7 days) and it sounds the same as yesterday..first time it sounded the same day to day.
I should explain what tweeks were used in conjunction with it, just in case one or more of you buy one and find it doesn't work to your satisfaction, or my telling of it.
The JVC RX-ES1SL runs from my (Empirical modded) MSB Gold Link III DAC to it's analog inputs. I have a $300.00 ZSleeve Ultra on BOTH the digital cable and IC running from DAC to JVC (yes, $600 for 2 friggin' tubes...and I don't smoke reefer anymore

). I had the same set-up in evaluating my previous set-up, so apples to apples here, but you probably don't....and tho rediculously expensive they do seem to nullify RFI/EMI in the line. Perhaps MORE important to eliminate before digital amplification than SS

...just speculating.
We tested it on Brian Cheney/VMPS' big rig a week ago, and indeed they seem to work.
I used some of the MapleShade silver grease on IC, Power Cord and rca inputs and outputs used on the system.
I use a sheet of ERS cloth on top of the JVC case...seems to have firmed things up a bit.
I have a Highwire PowerWrap 'tuning' the fixed cord and ridding it of front and backwards RFI on the cord. So, it's claimed at least...tho I don't hear it, outright. But, maybe.
Finally, I have all my gear running thru a BPT 2.0 with upgraded Litz cord, cryo silver wire, hi current filter and internal ZSleeve. Who knows what line grunge ever reaches the JVC due to this 'tweek'.
Lastly, I am running the sub outs to my AudioSource Amp3 that feeds a N.E.A.R. Boom3 passive sub (crossed at 80Hz). And, because the JVC has only spring clip terminals, I am running 4 pr. 24 ga. CAT6 cable (Home Depot) as speaker cabling as opposed to my $300 LAT International cabling that won't fit in da' holes.
Both of these last two may be 'anti-tweeks', but worth noting...just for your individual edification.
Anyhow, your results will vary due to a lot of factors, but my opinion, right now, is that this is a rediculously fine bargain. I mean, it produces good music, with remote volume (yee haa) for US$179.00. Clearly, what we have come to expect in audio is now changed with the advent of digital amplification.
Putamayo's 'Sahara Lounge' sounds damn good right now.
