Hi,
I have been visiting this forum for some time now and have learnt a great deal from fellow contributors. Now it is my turn to contribute.
Background
Ever since the Emerald Physics CS1/2 was released I was hooked, I have built a number of models and tested them. I had no experience when I started designing and testing them and I learned along the way. My technical background helps me a lot. The models included were:
1. TWW, T- Horn and compression driver and WW - twin 12" woofers
2. TMWW, T - Ribbon, M- 7" Mid woofer and WW - twin 12" woofers
both sounded good and none of designs were presented in this forum. Finally I decided to change the speaker configuration to a True Dipole configuration of TMMWW.
Design
This True Dipole design is inspired by John K's NaO Note. The config. is TMMWW, tweeter, mid-range, mid-woofer, woofer and woofer. All the top drivers are from GR Research, they sounded good at the same time keeping the cost down. The twin 12" woofers were from Eminence, I chose 12" because I wanted to keep the width of the baffle to within a certain size so that it would not look "too big" in the lounge room.
a. Baffle
I have included a few images, a few notes to the baffle design:
a. The woofer baffle is separated from the main baffle that holds the TMM.
b. The main baffle is held in place in the rear to maintain rigidity and keep
drivers vibrations to a minimal
c. The rear to the midrange and mid-woofer are chamfered.
d. The top baffle can be removed when there is another new design.
e. The twin woofers is of U-frame design, they are held rigidly in place on the
enclosure via a cross frame.
b. Crossover
The x-over on the TMM are all passive, 2nd order electrically. The x-over is a function of baffle design and there is no point showing the design here. The image showing the freq. response(far field, woofers disconnected) is for left and right channels, both closely tracked. The dip around 15Khz is due to the tweeter not the design. The lower curve is the response when I placed the microphone in between both speakers about 2.5m away. There is a slight rolling off at high freq. is due to horizontal directivity(the speakers were not toed in) and can be corrected when I use the Behringer 24/96 crossover unit(BehXover) or toed the speakers inwards. The tweeter and midrange is crossed over around 2500Hz.
The top/main baffle, TMM is crossed over to the twin woofers via the BehXover below 300Hz. This arrange adds flexibility to the system config.:
1. Using Bi-amping, top baffle can be driven by low powered tube or SS amp, the TMM has about 89dB sensitivity. The woofer section can be driven by high powered SS amp.
2. I can contour the bass response to suit the room manually or using Room Acoustics wizard software, I have yet to use it.
Design Short Comings and Future Improvements
1. Improves the passive x-over
2. The quality and directivity of the tweeter can be improved
3. Use of Room acoustics software
4. Can change Top Baffle to a new design.
In conclusion, I like to thank those who have contributed here and there are too many to mention here. Anyone who wishes to give any improvement suggestions please do not hesitate to do so. Thanks for looking.

