Synchro Mesh mini review:
New guy here, and I'm posting because me and Steve thought that you guys wanting to try using supplies other than the Wall-Wart, or one that Steve recommends, might benefit from my experience..
System consists of:
Bel Canto DAC3.5VB MKII with the VB supply fed from a Pure I-20 Ipod Transport, directly feeding custom VRD 60wpc mono tube amps.
Speakers are JBL L220's highly modified with extensively upgraded crossovers.
I had Steve make me a custom cable so that I may use my VBS1 Supply to run the SMR. Listed below is the email I sent to Steve with my findings:
The SMR came at 9:00 this morning. Kind of strange for UPS to come that early around here, but all the better.
Got it all hooked up and tried the VB Supply first. Sat down for a listen and it was not pretty. Very edgy, tiny soundstage, and just distracting to say the least. So, I figured I'd let it all warm up. Waited about an hour and sat down again, nothing improved. At all! Then I figured I better try the wall wart..
Plugged it in, then sat down. AHH! Music again! Thank god.. Listened to a familiar track and could her some improvements to the system. I let it play for another hour, then sat down for another listen... Won't get too lengthy with thoughts on multiple tracks, so here are my findings on one:
One of my favorites; Fourplay, Swamp Jazz. This band is fantastic for my tastes, and display musicianship like few others do. No distortion to cover up lousy musicians here. Just talent.
Guitars sounded cleaner, faster and more real, with excellent visual stimulation. Positioning improved. Piano rang true, could depict fingers plucking the keys, and pedal effects greatly enhanced. The size of the venue more translated due to an up-scaled reverb effect. An effect that before, translated to my room size, rather than the larger than my room effect of the actual venue. Quite cool indeed. Lovely ladies breathing into the mics with a soft ahh that sounded like noise before. Drum attacks more there and defined, translating the aggressiveness or subtlety of the drummer. Symbols realistically crashed and waved with greater visual impact. Realized actual life and tension on the silent breaks. The bass more realistically fluttered.
These improvements described are what matter to me. Let mine be a killer band to listen to over a vocal performance any day. Nice job Steve.
I'm now questioning how good (or not good) the VBS1 Supply actually is. I'm assuming that Bel Canto took steps with their mate-able products to actually get positive results using the VB, but it is not good for this particular application.
No, you are not getting this thing back.
Summing up. Use the Wall-Wart, or a supply that Steve recommends.