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Yes, that is us. We are releasing a new driver design tool which predicts cone, dome, dust cap, surround, and spider behavior. Thus the reason I have been looking into DYNAMIC behavior/testing of spiders (not static!).
It's a lot tougher than you think. There are large variances on acceptable spiders. To be honest, i find it amazing that two identical speakers even sound similar with all the variances in materials and labor. Just one drop of glue running out into the spider drastically changes everything.
But, I digress. In order to discuss the original topic, get out of the frequency domain and think in the time domain. While FR is a steady state response, Mr. Richey is talking waterfall: that is time domain (actually a hybrid of the time and FR). Two drivers with identical steady state FR can behave totally different in the time domain. But, now we are starting to get into linear and non-linear damping. Egads!!!!
This discussion is getting a little metaphysical. Although Danny and I probably do disagree on the practical significance of break in, I don't think the disagreement itself has much practical significance. I can see where box tuning might be affected by meaurements taken after 10 seconds of woofer play vs 100 hours, but I don't think the crossover design will be. That's something you can check easily--just measure the frequency response and phase tracking of a given speaker repeatedly over a period of time. When I've done this (and the speaker used one of Danny's woofers), I sure couldn't see any difference. So I would have come up with the same crossover no matter where the woofer was in its real or imagined break in period. I guess you can spin a tale about cone midrange response curves changing at the low end over time and therefore impacting the woofer-mid cross in a 3-way, but again I haven't observed that. So maybe I'm wrong about the audibility of break in. Could be. But I don't think it would affect my crossovers.
Dennis, I agree with you, but you still are not understanding what is going on. Yes we agree that the burn in effects hardly change the box tuning and it has almost no effect on the response measurements that we use to design a crossover with. It has some frequency response effects below 200Hz but that's about all. So it has no baring on anything you or I see on a SPL based graph. What you don't see yet is the effect that the burn in time has in the time domain. Even looking at the spectral decay that shows stored energy and frequency can allow you to see the differences that the burn in time is having on the driver. Ever notice how the guys that claim the speakers are changing over the initial hours of play always say that the sound gets smoother. Vocals get more relaxed, and even detail levels are better. Those are not effects that happen by getting used to a speaker. If a speaker is bad, harsh or hard to listen to, you don't get used to it. Those are issues that are glaring issues like a head light shinning in your face. You don't get used to it. What they are describing is a result of less stored energy. The driver is no longer ringing like it might have been at first. It settles faster. So vocal regions are cleaner. And there is more space between notes in the upper ranges. Does anyone else understand this yet?
Does anyone else understand this yet?
Danny,Not me Granted, my degree is in nuclear chemistry, not in physics nor electronics, but if you provide a more detailed description on the 'stored energy' phenomenon , I may still get it. Wether it is related to the original post, it is a different matter.Regards
I understand "break in" very well, thank you, having built and measured several loudspeakers of my own. But I'm still waiting for your supposed manufacturers comments about capacitor "burn in." Because if it is real, I want verification and even more so I want to know why. Yes, intelligent minds want to know why. We don't except all the hype that surrounds any dielectric.
Ask anyone that designs or manufactures caps. I don't know of any that do not have some recommended burn in time. And it is real easy for anyone to verify. Just listen.
I'll pit my hearing against yours anytime.
I'll pit my hearing against yours anytime.Still waiting for manufacturers comments, positive verification. I know I'll be waiting a long time.
What really oughta happen is we oughta take 2 pairs of identical speakers 1 fresh out of the box and 1 completely "broken in" and see if people can pick the difference in completely blind testing.
Does this topic really belong in the Salk forum? I think not... We're not talking about Salk speakers at all.
Yeah, let's not let this fall into who can and can't hear. That will end the thread for sure. You'll still be waiting if you don't call and ask them. They aren't going to call you.
Oh yeah, lets move this thread to your circle, where you always get the last word.
I don't need the last word. And no one is censored there. Leaving it here is fine too and really up to Jim.
I've not noticed any break in effect on any speaker I've owned, including my Salks (see, I'm on topic now ). Even so, I do like to read others opinions and how they arrived at their conclusions; perhaps I'll learn something. I do respect Danny's approach of offering measurements to support his conclusions.
My experience with speaker break in, is that i did not hear any differences with my songtower whether after hearing for the initial hour or after pronlonged time. But with my ascend sierra 1, there were subtle difference in the mid and highs. To be a little specific, the mids sounded less pronouced. When i first fired up the sierra1 , the mid sounded there was a bump in the 2k range. As for the highs, they seemed to have more details, kind of like more resolution. These differences seemed to happend within the first week.