That's exactly what that means. Some of the tapes were falling apart. Going digital allowed Botnick, Grundman, and Holzman the freedom to work towards a more open representation of what the original master tapes sounded like.
The restoration was done by feeding a new remanufactured Ampex ATR-102 with Aria Class A Electronics into the Pacific Microsonics HDCD Model Two Processor at 192/24, and that in turn was fed into a Digidesign Pro Tools HDs Accel system. Starting with The Doors 3rd album "Waiting For The Sun" the Dolby A-301 nr system was introduced, and one of the original units from Bruce Botnick's studio was used in the restoration process.
I have the set. You pretty much have to be a die-hard Doors fan to own one I think. Haven't played all the LPs yet (7 LPs), but having all the Doors music already in every format known to man I can say that it's the best-sounding Doors music I've heard in any format. Regardless of being A-D, when it comes to The Doors you have to Take It As It Comes.
Bruce Botnick's closing remark about the set:
"Enjoy these discs. Take care of them. They are treasures, and remember, as always, play it loud and part the waters".
