I'll offer up a couple of comments on why two of the recommendations made here are likely to work well in small rooms.
First, the SP Tech speakers. Due to their excellent pattern control of the tweeter's output, they are likely to sound smooth throughout the vocal region even in a small, fairly reverberant room. The reason is, they avoid the typical radiation pattern "flare" at the bottom end of the tweeter's range, which if not properly compensated for can result in excess reverberant field energy in the 3-4 kHz region - right smack where the ear is most sensitive. Also, their pattern can be aimed if desired to reduce the early side-wall reflection. That being said, it is possible to design a conventional format speaker that has a smooth power response, and my ears tell me that Mike Dzurko of ACI has done exactly that.
Next, transmission lines. In my opinion one of the practical in-room advantages of the transmission line is that, when the woofer and line terminus are fairly far apart, these two bass sources will be displaced relative to one another in three dimensions and will each interact with the room somewhat differently. These two differering room-interaction peak-and-dip patterns will average out smoother than either one alone, with the net result that a pair of transmission lines will often (but not always) be smoother in a small room than a pair of conventional speakers.
I'm not sure that a transmission line speaker normally has a first order bass rolloff. This may be true of some transmission lines, but I think that typically they have a third order rolloff below system resonance, in between sealed and vented boxes in this respect. Note that the output from the woofer and line terminus are out-of-phase below the 1/4 wavelength resonance, which imposes a second-order rolloff all by itself even if the woofer's output remained flat.
Duke