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I have the Rega P-3 as well. The chassis ground you are referring to is built on to the RCA shield of the right channel connector. This is a pratice used by several table manufacturers. Further grounding will only cause harm.The one possibility is an internal tonearm ground loop. To prove this you need 2 alligator clips. Short out the + and - of the left and right channels (independently). This takes the cartridge out of the picture. Now try the volume control. If the hum decreased, the problem is with the cartridge, if not, it's the internal wiring in the tonearm.If it ends up being the tonearm wiring, remove the alligator clips and connect the 2 - (commons) together and see if this improves the hum situation. You may find that this actually helps.If that is the case, connect a short piece of wire between the grounds. Of course, don't ever solder on the cartridge pins. Remove the clips and solder on the back side of the clip. If you get solder inside the clip, it will be ruined, too. You will have to recalibrate your tracking weight, as you have added wire and solder.You may also find that the hum is being influenced by a nearby power or pre-amp, especially tube ones. Another source of hum is fluorescent lamps and stuff like that. Remember it is either stray EMF or ground loop. Also remember that even the finest table/cartridge/pre-amp set-up has a noise floor. It's the nature of the beast. The trick is to get the noise floor as low as possible.Good luck.Wayner
Great post! It should be noted that the Rega tonearm wiring employs 2 channels (L+ and R+) and one common ground. That is the minimum requirement you need to generate "Stereo".