I've done some limited work on recording records on my Mac with Peak Pro and an M-Audio Audiophile. I'm amazed at how little "real estate" the records from the 70's occupy. I've checked out some recent CD's and it's just like the pictures: all signal, no headroom, no dynamic range. Some of the stuff is unlistenable, as we all know. I saw Hard-Fi a couple years back and was disappointed at how LOUD the CD was when I got home!!!!
This whole topic makes me want to break out Thick As A Brick. Back in college (about 100 years ago), I borrowed a dBX unit from Stereo Sound in Stony Brook, LI for a trial. The dynamic swings in that record were incredible, the dBX really shone in an A-B test. Alas, fund availability (like NO money) prevented me from buying it. Also, the range was much less on a lot of other rock recordings (like Rundgren's Faithful).
I know, I know, you classical guys knew this all along. Can't imagine they can pump up classical stuff like rock.
Seems like a simple trade off: all distortion/volume so that our tuning dial stops on the LOUDEST song on the car radio? How stupid can the listening public be????
There may be hope. Gotta be. I'm raising kids (13, 15, 18) who have listened to hi-fi and appreciate the difference in a world of 128 compressed iTunes.
Time to steam clean my vinyl Tull (with the full newspaper, even!)
Paul