A couple of my show highlights:
The first highlight is MY system right now as I spin the Telarc classic RoundUp! released at the show as a multi-channel SACD. My wife just yelled "who let in the cows?" and both my grade school age boys came galloping through my listening room even though they were supposed to be in bed.
As is typical there were some big buck systems that seriously underperformed, some that performed well, and others that just plain made music.. The Wilson Watt/Puppy 8 demo was very well executed... if you like speakers that behave like precision lab instruments. Some like that kind of sound.
I was more taken by the sound of the big MBLs. I kept going back to that room over and over. Big, spacious, holographic, dynamic... First time through I sat there in awe... and started to cry I was so moved by the music they were making

Had to get out of there before I lost it.
Other systems I really enjoyed were the Moscode amp driving Joseph RM25s, the big GamuT system that absolutely rocked!, Vandersteen Quattros driven by Ayre gear, and those egg shaped speakers in the Musical Surroundings room sounded breathtaking on large scale orchestral music.
I listened to the Cain & Cain system, and I just don't get it. Yes they were musical, but with no low end authority and that upper midrange shoutiness, it just did not do it for me.
Took in the Sony Blue ray demo and was very impressed! The Chicken Little clip was amazing. In the "at bat" scene, I could clearly see the 30 inscribed in the base of the wood bat, and the effect of the wind blowing through the character's fur and feathers was very fine and nuanced.
The highlight of the show for me was RTI tour Friday night. We got to see the entire process of making vinyl! Steve Hoffman and Kevin Gray showed off the mastering room and cutting lathe. They just happened to be remastering the Yes album, Fragile so they played back Roundabout from the original 2 track master that had been sent over from England... Words cannot describe that experience.
Next we got to see how the laquers are treated and the masters, mothers and stampers are made. Then was the pressing plant where they were squeezing out copies of the new Flaming Lips LP on red (side 1&2) and blue (side 3&4) vinyl. I dug a red one and blue one out the reject bin as souveniers. Even though they were scuffed, I had the rush of going home and playing records that was less than two hours off the press. And they sounded great... couldn't hear the scuffs!
Now that was cool!
Russ