I wanted to resurrect this thread in appreciation of the advice on resistors. New house is the first time I’ve NOT had wall-to-wall carpeting. I did some long wall sound dampening. Point being, it’s a more “live” room than usual for me. I’m coming up on 3 months with the LRS’s and love them.
There are some early digital, orchestral recordings that that border on unlistenable. Back in a carpeted room with my previous MMG’s they were fine. I put in the factory 1-ohm resistors into the LRS’s and it overkilled everything. Picked up some Mills resistors in the .22 / .39 / .66 Ohm levels. Tried the .39 and it made things sweet and beautiful, but I felt it killed the resolution and attack just a little. .22 set are in right now, and it’s really good. Now, for a wider range of recordings it is more listenable AND still provide the full resolution, detail, and sense of bite and attack.
I’ll live with it this way for another month and then consider upgrading those to Dueland... or Pass Audio resistors of similar value.
Thanks again!