Hugh,
... Similarly, one can reverse the leads on one's tweeter and hear enormous changes. Of course these changes are all bad. Of course one can think that they are revelations by how the sound is changed.
Hi, Steven,
Re. your comment about "reversing the leads on one's tweeter" ... here you are into the topic of absolute polarity vs. relative polarity - about which argument rages (as to whether you can hear it or not). It would appear that some people are vastly more sensitive to absolute phase than others ... I would tend to think these are people who have trained and refined their hearing bcoz I must say I've never really been able to pick it up.
Just in case U have not come across the concept of ABSOLUTE polarity (or absolute phase, as it is more commonly called) before:
* relative phase is vital because if either one of your right or left speakers has its cables reversed from the other, you hear a strange "echoey" sound and the sound-stage is no longer centred between the speakers.
* similarly, all drivers within a multi-driver speaker need to be "in phase" or you get the same sort of peculiar effect. (So you can't actually just "reverse the leads on one's tweeter" ... you need to keep the tweeter in the correct polarity relative to the other drivers. NB: this MIGHT mean that it is actually "reversed", depending on the crossover order being used!)
* however, if all drivers in both speakers are aligned correctly (lets say this means connecting all the red speaker wires to the red binding posts), the reverse also keeps all drivers relatively aligned correctly but now (with the black speaker leads on the red binding posts) the speaker "blows" when it should be "sucking"!!
Hard to describe but basically, if the CD/LP was recorded with the correct absolute polarity, when the singer blows into the microphone, this should be delivered from the speakers as the singer blowing. The reversed sound (if the speakers have reversed absolute polarity) produces a not-quite-true sound ... again, think of a cymbal "clash" vs. its "reverse".
Trouble is, it seems to be very much "pot luck" as to whether the media is recorded with correct absolute phase or not. And whether components within your sound chain invert (absolute) phase or not!
Regards,
Andy