Cardas was not the first by any means, but he certainly took it to another level by giving it a mythical aura (that's called good marketing!), "Golden Section"...how can you go wrong? The Romans and Greeks were masters of psycho-acoustics and in spite of all the advances in this "science", creating concert halls gives people serious migraines, to say nothing of the difficulty in recording in existing spaces. I've personally tried over the years to apply, as best as possible, these principles in various rooms with various degrees of success. I guess what we mean by the sweet spot is nothing more than locking into the "correct" ratios and nodes so that the room is participating in making music rather than fighting it.
When this happens, the room "sings" so to speak. What works for on pair of speakers will probably not for the next and we get to start all over again! I remember a seriously maniacal attempt to get a pair of Maggies to sound right in a room. I ended up using egg cartons glued to the ceiling (they kept falling down). Ideally one would build a room from the ground up but I fear this might again only work for certain kinds of speakers. At present I'm lucky to have a very "forgiving" space, which is just as well as I have
cheap speakers. Now that I think of it, this reply doesn't really belong here at all. Sorry, just felt like talking.