Josh makes some good points there. Let me try to clarify the matter for most intersetd readers.
As most (should) know, I make and sell power line filters named DeZorel. At one point, we made what we felt was aground breaking product, a power line filter which actually filtered the ground. We assumed (my associates and I) that this would really do wonderful things to gear capable of wonders once freed from many uncertainties.
We were dead right - about 50% of the time. Product using star grounding, as Dan banquer and I, to name but two, propose as the best overall solution, improved anything from good to very, very good. That's the good 50%, and fortunately, the vast majority of tube gear tended to come on song.
But there was also the other 50%, which was anything from very little improvement to outright deterioration of the sound. Nightmare stuff, not only zero improvement, but it got worse - and that was no Joe's Garage slap together stuff, that was Jadis.
We started investigating and soon enough found things from floating grounds to incredible schemes which I have no idea to this day how they work at all. With folating ground, the case is clear enough, there can be no improvement, so we added that comment in our advertyising literature, warning people to read their manuals first. As for Jadis, well, they pulled a dirty trick and let's leave it at that, but from then onwards, we warned people who own Jadis equipment NOT to buy our filters.
So, if we got anything from zero to hero all related with the grounding, it stands to reason that each and every other audio gear manufacturer will face exactly the same problems. Hence, Kurt here is not, and cannot be, any exception, so it's just a matter of time before his products, like everybody else's, run into a mismatch problem with potentially disasterous results for the sound.
If everything was level, we wouldn't have half the problems we have in mixing and matching, would we?
Cheers,
DVV