I have learned a bit about this over the past few years and several crossover designs. I feel comfortable in this conclusion and have ran it past a credible folks that agreed. The conclusion is this:
"Slanted baffles generally make life easier on the crossover designer"
While there are several issues to address in any crossover, the initial two issues pertinent to this discussion are phase and amplitude. Ideally, the phase of the drivers And the amplitude of the drivers are such that they will product a dead-flat response in the crossover region. This necessitates proper/even phase response from the drivers. If the phase is not proper/even, there will be response cancellations. With a good crossover, the drivers will be perfectly in-phase at the crossover point. They will also be completely out of phase when the leads of the tweeter are reversed. This is called the "reverse null".
The result WILL be a null at/around the crossover frequency. The 1801 demonstrates this nicely:

It should be obvious the 1801 doesn't need a slanted baffle for optimum performance. This is true. However, it doesn't necessarily mean this is completely optimal for all situations with all drivers.
First, the acoustic center of the tweeter is generally the base of the dome where the dome meets the voice coil. The acoustic center of the woofer is generally the base of the cone where the cone meets the voice coil. The is an approximation, but will be very close in nearly all situations. The exception to this might be those subwoofer drivers with flat cones. I cannot comment on this. Given the relative position of the acoustic center of the drivers it is obvious that 2 drivers on a flat baffle will not be acoustically aligned. The tweeter waveform starts before the woofer wave form. This is important. The woofer phase response is DELAYED.
Mitigating this is accomlished via 2 methods. One - the baffle certainly can be tilted backward. Two, the crossover can "fix" the phase delay.
In an ideal world, the crossover could advance the phase of the woofer so that it will catch-up to the tweeter. Or, in an ideal world, the tweeter will delay the phase of the tweeter. In the real world, neither of these happen. This is because.
1. Inductance delays phase. There are inductors in series behind the woofer.
2. Capacitance advances phase. There are capacitors in series behind the tweeter.
Crossovers actually make matters worse for the relative acoustic response of the drivers until... the phase of the woofer is so delayed and the phase of the tweeter is so advanced that it actually aligns. At this point the the phase of the tweeter is a full wave-form BEHIND the woofer. The beauty is the wave form is aligned! There is no cancellation.
There are a few speakers that have an extreme slant to the baffle (off axis problems here) that provide a completely aligned waveform. This is often called "time-aligned", but some marketing departments have abused this term. The key to identifying these time-aligned speakers is via observation from the side. If the woofer dust cap is in-front of the tweeter dome, the speaker might actually be time-aligned. If the woofer is NOT ahead of the tweeter, and it's called "time aligned"

be suspect of the marketing department.
I many cases a slight slant to the baffle will make life easier on the crossover designer, or better for the impedance curve. This allows the crossover designer to give more attention to amplitude and less attention to phase. A slanted baffle might allow fewer crossover parts, or a higher impedance.
For the 1801, there is indeed some degree of compromise herein. There is a slight dip in the impedance curve around 3khz to accomodate the phase situation. This impedance dip is necessary to accomodate the phase. This is indeed a compromise. On the other side of the compromise is the off axis response of the drivers for a time-aligned speaker. For the 1801 I chose a flat baffle and phase alignment + a bit of impedance ripple.
http://www.ellisaudio.com/1801imp.jpgMost good speakers are phase aligned (like the 1801).
Oh, while I am on the "soapbox", I must comment thus, anybody who builds/advertises a "no compromise" loudspeaker (or any piece of hifi gear) is an idiot.

There are always compromises.
Hopefully my comments are fairly clear. Whew, that's some typin'