Hi all, I'm a long-time user of RWA gear (back to one of the first Sig 30s). At the same time I also discovered Omega Single drivers, so the audio world as I knew it has not been the same since.
Recently I acquired a Decware flea amp (2 watts into 4 ohms). Its SET, etc. I run Omega Super 6 Alnico monitors + Omega Deep Hemp powered sub. I listen in a small, but well (acoustically) treated room. Listening is near-field, and I favor female vocals. With the Super 6s over 90 db sensitivity, an SET flea amp is a natural candidate for my situation.
My move to the Zen was driven by economics. I now spend very little time listening, and I wanted to free up some cash to purchase a new American-made drum kit.
Reading about the Zen my expectations were very high. There's always that hope that a different technology might be even better than the one I have. Many claims (researching on the internet) that the Zen outperforms many / most amps at many times the price. As I've learned, this claim does not hold up against Vinnie's Signature 15 or 16.
A couple weeks ago I sent Vinnie an e-mail with my impressions. He told me to feel free to share my experience, so after a few more weeks of listening -- to make sure I didn't change my mind with more use -- here goes.
Bear in mind this is not a direct AB, but I'm confident I have enough time on the unit to feel this is an accurate characterization of what I am hearing. I also don't know if a few hundred more hours of burn in or tube upgrades might change my impressions. But prior to purchase, I had several phone calls with Decware to make sure I followed their break in procedure, and they recommended their stock tubes as very good sounding for this unit.
The unit is paired with a RWA Isabellina DAC and Macbook.
One last note, there is a price delta (as noted in my e-mail below). So I share this only as one man's experience of the grass is not always greener...
Hi Vinnie. I've finally had a chance to listen the last couple days.
I'm going to be happy with the new set up. It's a step down from what
I had, but less investment, so that's to be expected. The good news is
I have finally selected an American made drum set, and I hope to order
this week, so its all coming together. As far as the amp...
1 watt is way more than needed for Omegas in a small room, so no issue
there. The Tone is very nice. Probably mostly to advantage of
non-audiophile recordings. Overall it lacks some detail compared to
the Sig 16. Also the image is not as well defined, and stage not as
deep or wide. The subtle sounds of a sax player's embouchure is another
place it lacks compared to the Sig 16... there is less texture to the
instrument. Also it does not feel like it digs as deep into the
recording. So for about $900 and efficient speakers, it's a fine
listening amp. But when you read how everybody thinks it's
holographic, etc., IMO you have it beat.
(New: And after a few weeks of listening, I'll add that in terms of tone (a satisfying sound), the 16 and Zen are very close. When it comes to sounding like real live instruments / vocals, where timbre really comes into play, I think the 16 leads by a significant margin.)
So again, for a modest investment it's a very nice sound system.
Kent